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The term was first used by the French couture designer Christian Dior as the label for his collection of spring 1955. [2] The A-Line collection's feature item, then the "most wanted silhouette in Paris", was a "fingertip-length flared jacket worn over a dress with a very full, pleated skirt". [2] Although an A-shape, this silhouette was not ...
The name of the line of his first collection, presented on 12 February 1947, [23] was Corolle (literally the botanical term corolla or circlet of flower petals in English). Dior's debut collection included a launch of 90 garments displayed in outfits. [24] The phrase New Look was coined for it by Carmel Snow, the editor-in-chief of Harper's ...
Following this, Bohan launched the first Christian Dior Homme clothing line in 1970. A new Dior boutique at Parly II was decorated by Gae Aulenti and the "Diorella" perfume was released in 1972. Christian Dior Ready-to-Wear Fur Collection was created in France in 1973, and then manufactured under license in the United States, Canada, and Japan ...
Dior’s collection referenced the H-line created by its founder Christian Dior for Fall-Winter 1954-1955 – a controversial silhouette at the time as its flattened shape appeared, for some ...
A globally minded designer from the get-go, Christian Dior unveiled haute couture designs 70 years ago at the Acropolis during an iconic fashion shoot for Paris Match.
One year into her run as creative director, Maria Grazia Chiuri unveiled her fall/winter 2017 collection at the beautiful Musee des Invalides.
Some Dior collections from this period contain themes that would appear in Saint Laurent's independent work years later, such as the smock tops and safari jackets in Dior's 1957 "Libre" line. [13] In August 1957, Dior met with Saint Laurent's mother to tell her that he had chosen Saint Laurent to succeed him as a designer.
In 1958, Yves Saint Laurent, Dior's protégé and successor, debuted the "Trapeze Line," adding novel dimension to the chemise dress. These dresses featured a shaped bodice with sloping shoulders and a high waist, but the signature shape resulted from a flaring bodice, creating a waistless line from bodice to knees. [ 29 ]
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