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The English lyrics of the song were written by Norman Gimbel. This version was nominated for the Academy Award for Best Song at the 38th Academy Awards held in 1966. In July of the same year, Connie Francis released an English-language cover of the song on her album Movie Greats of the 60s. [2]
Two videos were made for the song. In the first video, Nichols plays the song's protagonist at various ages; makeup was used to make him appear thirty years older. [1] The song's first video first aired on the television network CMT on November 23, 2006. A second video was later made, featuring an acoustic remix of the song and shot in black ...
"Every song on the record is an adventure, which made making the record an unforgettable experience" Kipley says. "Phil has such an incredible sense of melody, lyrics that read like poetry, and I believe the listener will leave with feelings of the greatness of God, and at the same time the desire for God to have an intimate relationship with us."
Katie Hasty of HitFix gave the song a B+, saying "Marcus is a softie, but he's got a problem with repetition," but also said "they bring it home when they jump up an octave and beat the hell out of the chorus." She concluded with, "This song could be really huge." [6] Liv Carter of Urban Country News awarded the song a 'thumbs-up'. Reviewing ...
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Gibb's vocals on "One Million Years" is high especially on the chorus: I will wait for you yeah, Your eyes will shine like dew Yeah, I close my eyes and you're now here And I'll wait for you. The line i close my eyes was the same title on the Bee Gees' 1967 song which was included on Bee Gees' 1st. Yeah appeared in the chorus two times.
"I Will Wait" is a song by American rock group Hootie & the Blowfish. It was released in August 1998 as the lead single from their third studio album, Musical Chairs. In the United States, it peaked at number 28 on the Adult Contemporary music chart, and number three on the Adult Top 40 music chart. The song reached number seven in Canada.
"For You I Will" earned generally positive reviews from music critics some of which called it a departure from the R&B-directed nature of Monica's previous songs. [5] Alan Jones from Music Week wrote, "It's one of those anthemic ballads that Warren has a knack for writing, building to a swayalong finale with Monica's inch-perfect R&B-inflected vocals proving a perfect foil."