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Augusto Boal (16 March 1931 – 2 May 2009) was a Brazilian theatre practitioner, drama theorist, and political activist. He was the founder of Theatre of the Oppressed , a theatrical form originally used in radical left popular education movements.
Forum theatre is a type of theatre created by Brazilian theatre director Augusto Boal.It is one of the techniques under the umbrella term of Theatre of the Oppressed (TO). ). This relates to the engagement of spectators influencing and engaging with the performance as both spectators and actors, termed "spect-actors", with the power to stop and change the perform
Although it was first officially adopted in the 1970s, Theatre of the Oppressed, a term coined by Augusto Boal, is a series of theatrical analyses and critiques first developed in the 1950s. Boal was an avid supporter of using interactive techniques, especially in the context of theatre.
Theatre for development (TfD) is a type of community-based or interactive theatre practice that aims to promote civic dialogue and engagement.. Theatre for development can be a kind of participatory theatre that encourages improvisation and allows audience members to take roles in the performance, or it can be fully scripted and staged, with the audience simply observing.
The Brazilian theater practitioner Augusto Boal and Panagiotis Assimakopoulos developed the form during their time in Argentina in the 1960s as part of Boal's Theatre of the Oppressed, which focused on oppression and social issues. Invisible theatre developed in the context of increasingly repressive dictatorship in Brazil and Argentina.
The Teatro de Arena was founded in Sāo Paulo in 1953 by It was an alternative form of theater production from the current expensive state of Brazilian theater. Jose Renato was a prominent actor, director and one of the founders whose vision was for the theater and production was to make it more accessible than those productions being put on by the Brazilian Theater Comedy.
As he moved to a professional group, he met Augusto Boal, who was looking for an actor to play an old black man. Joining Boal's Teatro de Arena, Milton Gonçalves found an open environment for political, philosophical, and artistic discussion, where he was not discriminated against on the baseless basis of his race.
Actor, director and author, he was one of the founders of the groups Teatro Núcleo Independente, Teatro Pequeno, and Ágora - Center for Theatrical Development, of São Paulo. He made his debut at the São Paulo Arena Theater in 1980, in Augusto Boal's Teatro Jornal 1ª Edição. He worked with some of the most notable directors of Brazilian ...