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Lucila Godoy Alcayaga (Latin American Spanish: [luˈsila ɣoˈðoj alkaˈʝaɣa]; 7 April 1889 – 10 January 1957), known by her pseudonym Gabriela Mistral (Spanish: [ɡaˈβɾjela misˈtɾal]), was a Chilean poet-diplomat, educator, and Catholic.
Sonetos de la Muerte (Sonnets of Death) is a work by the Chilean poet Gabriela Mistral, first published in 1914. She used a nom de plume as she feared that she may have lost her job as a teacher. [1] The work was awarded first prize in the Juegos Florales, a national literary contest.
2002 La cordura de las locas mujeres (The sanity of mad women) of Gabriela Mistral" Symposium in homage to Gabriela Mistral sponsored by the Autonomous University of Mexico in Hull, Canada. 2001 Review of Crisol del tiempo y Nosotros (Melting pot of time and Us), books of poems by Julio Torres. Alter Vox (summer).
In 2006, Dana died and left behind what is known as el legado, or the legacy, an archive of Mistral's unpublished manuscripts, letters, taped recordings of poems, and photographs of Dana and Mistral. Many of the letters left in this archive were published by the University of New Mexico in 2018 in the book Gabriela Mistral's Letters to Doris Dana.
Gabriela Mistral - born Lucila Godoy, (1889–1957) Nobel laureate in 1945; Pablo Neruda - born Neftalí Ricardo Reyes, (1904–1973) Nobel laureate in 1971; Nicanor Parra (1914–2018) Carlos Pezoa Véliz (1879–1908) Mauricio Redolés (born 1953) Gonzalo Rojas (1917–2011) Pablo de Rokha - born Carlos Díaz Loyola (1894–1968) David ...
Translated from Spanish by Coley Taylor, with a preface by Gabriela Mistral. New York, Devin-Adair, 1950. Schulmanm, Iván A. and Manuel Pedro Gonzalez. Martí, Darío y el modernismo, Madrid, Editorial Gredos 1969. Martí, Darío and Modernism. Torres-Rioseco, Arturo. Aspects of Spanish-American Literature. University of Washington Press, 1963.
The 1945 Nobel Prize in Literature was awarded to the Chilean poet Gabriela Mistral (1889–1957) "for her lyric poetry, which inspired by powerful emotions, has made her name a symbol of the idealistic aspirations of the entire Latin American world."
He would also follow in Mistral’s footsteps when he won the Nobel Prize in Literature in 1971, [2] 26 years after Mistral herself had won the highest honor in literature in 1945. [3] In contrast to this tenuous link, the relationship between Huidobro, De Rokha and Neruda was one of the most persistent rivalries in Chilean cultural history.