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Mary Shelley's Frankenstein; or, The Modern Prometheus (1818) has come to define Gothic fiction in the Romantic period. Frontispiece to 1831 edition shown. Gothic fiction, sometimes called Gothic horror (primarily in the 20th century), is a loose literary aesthetic of fear and haunting.
The eighteenth-century Gothic novel is a genre of Gothic fiction published between 1764 and roughly 1820, which had the greatest period of popularity in the 1790s. These works originated the term "Gothic" to refer to stories which evoked the sentimental and supernatural qualities of medieval romance with the new genre of the novel.
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works.
European literature of the 18th century refers to literature (poetry, drama, satire, essays, and novels) produced in Europe during this period. The 18th century saw the development of the modern novel as literary genre, in fact many candidates for the first novel in English date from this period, of which Daniel Defoe's 1719 Robinson Crusoe is probably the best known.
American gothic fiction is a subgenre of gothic fiction. Elements specific to American Gothic include: rationality versus the irrational , puritanism , guilt , the uncanny ( das unheimliche ), ab-humans , ghosts , and monsters .
Mary Shelley's Frankenstein; or, The Modern Prometheus (1818) has come to define Gothic fiction in the Romantic period. Frontispiece to 1831 edition shown. Gothic literature is a genre of fiction that combines romance and dark elements to produce mystery, suspense, terror, horror and the supernatural. According to David H. Richter, settings ...
Ann Radcliffe (née Ward; 9 July 1764 – 7 February 1823) was an English novelist, a pioneer of Gothic fiction, and a minor poet.Her technique of explaining apparently supernatural elements in her novels has been credited with gaining respectability for Gothic fiction in the 1790s. [1]
Southern Gothic fiction writers like Carson McCullers and Zora Neale Hurston adapted their own work for the stage in language-heavy productions of The Member of the Wedding and Spunk. Playwrights like Tennessee Williams , Beth Henley , and Jacqueline Goldfinger translated elements of Southern Gothic aesthetic to the stage and added theatrical ...