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In the 1920s, women singing jazz music were not many, but women playing instruments in jazz music were even less common. Mary Lou Williams, known for her talent as a piano player, is deemed as one of the "mothers of jazz" due to her singing while playing the piano at the same time. [4] Lovie Austin (1887–1972) was a piano player and bandleader.
For a list of the core jazz standards, see the following lists by decade: . Before 1920; 1920s; 1930s; 1940s; 1950s and later; For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes
Culture writer Martin Chilton defines the term "Great American Songbook" as follows: "Tunes of Broadway musical theatre, Hollywood movie musicals and Tin Pan Alley (the hub of songwriting that was the music publishers' row on New York's West 28th Street)". Chilton adds that these songs "became the core repertoire of jazz musicians" during the ...
Jazz-oriented artists who recorded it include Glenn Miller, Judy Garland, Louis Prima and Keely Smith, and the Freddie Slack Orchestra featuring Margaret Whiting on vocals. " There Will Never Be Another You " [ 9 ] [ 13 ] [ 16 ] [ 63 ] [ 64 ] is a song composed by Harry Warren with lyrics by Mack Gordon .
Anita Belle Colton (October 18, 1919 [1] – November 23, 2006), [2] known professionally as Anita O'Day, was an American jazz singer and self-proclaimed “song stylist” widely admired for her sense of rhythm and dynamics, and her early big band appearances that shattered the traditional image of the "girl singer". Refusing to pander to any ...
Many 1930s standards were popularized by jazz singer Billie Holiday's recordings, including "These Foolish Things", "Embraceable You" and "Yesterdays". " Begin the Beguine " is a show tune from Cole Porter's Broadway musical Jubilee , first recorded by Xavier Cugat and His Waldorf-Astoria Orchestra and popularized by Artie Shaw's recording in 1938.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
The Telegraph states that it is a "comprehensive guide to the most important jazz compositions, is a unique resource, a browser's companion, and an invaluable introduction to the art form", adding that "musicians who play these songs night after night now have a handy guide, outlining their history and significance and telling how they have been performed by different generations of jazz ...
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