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The Serenader metal soundboard guitar from B & J. Buegeleisen and Jacobson (B & J) was a musical instrument distributor in New York City, United States. [1]B & J opened for business in 1901, on 17th Street in Manhattan, run by the previously salesmen Samuel Buegeleisen (1871–1957) and David Jacobson (1869–1904). [2]
In their 1930 catalog, National list eight key associates, including Adolph Rickenbacker, George Beauchamp, Harry Watson, Paul Barth, and Jack Levy. [4] In 1932, the Dopyera brothers secured a controlling interest in both National and Dobro, and merged the companies to form the "National Dobro Corporation".
Samuel Swaim Stewart (January 8, 1855—April 6, 1898), also known as S. S. Stewart, was a musician, composer, publisher, and manufacturer of banjos. [3] He owned the S. S. Stewart Banjo Company, which was one of the largest banjo manufacturers in the 1890s, manufacturing tens-of-thousands of banjos annually. [4]
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Vega initially labeled these instruments A. C. Fairbanks, then switched to Fairbanks banjo by the Vega Co., then eventually to just Vega. David L. Day, who had been the chief acoustical designer at Fairbanks, became general manager of the Vega stringed instrument division and continued to develop innovative and successful banjo designs.
Across his career, Fred J. Bacon played a variety of musical styles on the five-string banjo and snare drum. His performances included his own compositions such as The Fascinator and The Conqueror march, classical compositions such as Minuette a l'Antique by Paderewski, and arrangements of folk music or minstrel songs, including Massa's in the Cold, Cold Ground.
The origins of the Codex Windsor in the Royal Collection are still unclear. It was probably acquired by Charles I or Charles II in the 17th century. However, it is known that Mary II showed the codex to the Dutch statesman Constantijn Huygens at Kensington Palace in 1690.
They are differentiated from later Gibson banjos by their scarcity. Banjo sales plummeted during the Great Depression, for lack of buyers, and metal parts became scarce into the 1940s as factories shifted to support the war. [1] As parts became scarce, non-standard versions came out, made from a variety of leftover parts, called floor sweep ...