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A 1920s sheet music cover Limehouse Blues melody on alto saxophone "Limehouse Blues" is a popular British song written by the London-based duo of Douglas Furber (lyrics) and Philip Braham (music).
Sheet music, primarily vocal music of American imprint, dating from the 18th century to the present, with most titles in the period 1840–1950. John Hay Library at Brown University: ART SONG CENTRAL: downloadable, IPA transcriptions, vocal: 1,000 Printable sheet music primarily for singers and voice teachers—most downloadable.
A series of similar-sounding chord changes occurs in "Ondine", the first movement of Maurice Ravel's 1908 piano suite Gaspard de la nuit. Ravel, Ondine from 'Gaspard de la Nuit', bar 67 Ravel, Ondine from 'Gaspard de la Nuit', bar 67. Other early appearances include the verse to the standard "Till the Clouds Roll By" (1917) by Jerome Kern. [7]
Introduced by John Steel in the Music Box Revue of 1922. "Limehouse Blues" w. Douglas Furber m. Philip Braham "Los mareados w. Enrique Cadícamo m. Juan Carlos Cobián "Lovesick Blues" w. Irving Mills m. Cliff Friend "Lovin' Sam (The Sheik Of Alabam)" w. Jack Yellen m. Milton Ager "March With Me!" w. Douglas Furber m. Ivor Novello
Printable version; In other projects Wikidata item; Appearance. move to sidebar hide. Limehouse Blues may refer to: "Limehouse Blues" (song), a ...
Rialto Ripples, (1917) a short ragtime piece for piano. Limehouse Nights (unknown date, early) a short ragtime piece for piano. Three-Quarter Blues, (1923) also known as the Irish Waltz. Prelude (unnumbered), (1923) – Rubato – Gershwin originally intended this prelude to be included with the Three Preludes. Unpublished.
Philip Braham (18 June 1881 – 2 May 1934) was an English composer of the early twentieth century, chiefly associated with theatrical work. From 1914, he composed music for such musicals and revues as Theodore & Co (1916) and London Calling!
In music, an eight-bar blues is a common blues chord progression. Music writers have described it as "the second most common blues form" [1] being "common to folk, rock, and jazz forms of the blues". [2] It is often notated in 4 4 or 12 8 time with eight bars to the verse.
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