Search results
Results from the WOW.Com Content Network
Besides Hindi, he was master of many languages including Sanskrit, Bengali, Punjabi, Gujarati as well as Pali, Prakrit, and Apabhramsa. He had a great knowledge of Sanskrit, Pali and Prakrit. As a student of Sanskrit, steeped in the Sastras, he gave a new evaluation to Sahitya-sastra and he is be considered as a great commentator on the textual ...
Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
Ram Chandra Shukla (4 October 1884 – 2 February 1941), [1] better known as Acharya Shukla, was an Indian historian of Hindi literature. He is regarded as the first codifier of the history of Hindi literature in a scientific system by using wide, empirical research [2] with scant resources.
Doha is a very old "verse-format" of Indian poetry.It is an independent verse, a couplet, the meaning of which is complete in itself. [1] As regards its origin, Hermann Jacobi had suggested that the origin of doha can be traced to the Greek Hexametre, that it is an amalgam of two hexametres in one line.
Mahavir Prasad Dwivedi (15 May 1864 – 21 December 1938) was an Indian Hindi writer and editor. Adhunikkaal, or the Modern period of the Hindi literature, is divided into four phases, and he represents the second phase, known as the Dwivedi Yug (1893–1918) after him, which was preceded by the Bharatendu Yug (1868–1893), followed by the Chhayavad Yug (1918–1937) and the Contemporary ...
Maila Aanchal (Hindi: मैला आँचल; English: The Soiled Border) is a 1954 Hindi novel written by Phanishwar Nath Renu. [1] [2] After Premchand's Godan, 'Maila Anchal' is regarded as the most significant Hindi novel in the Hindi literature tradition. [3] [4] It is one of the greatest examples of "Anchalik Upanyas" (regional novel ...
Kamayani (Hindi : कामायनी) (1936) is a Hindi epic poem by Jaishankar Prasad (1889–1937). It is considered one of the greatest literary works written in modern times in Hindi literature. It also signifies the epitome of Chhayavadi school of Hindi poetry which gained popularity in the late 19th and early 20th centuries. [1]
Like most contemporary Indian writers, Ugra was committed to promoting both social reform and Indian independence from the British Empire. [5] In the words of Ruth Vanita, "he delighted in iconoclasm; few writers of the time match his unsentimental depictions of the family, whether urban or rural, as a hotbed of violence, neglect, hatred, sexual depravity, and oppression"; [6] "his fiction ...