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Spill occurs when sound is detected by a microphone not intended to pick it up (for example, the vocals being detected by the microphone for the guitar). [3] Spill is often undesirable in popular music recording, [4] as the combined signals during the mix process can cause phase cancellation and may cause difficulty in processing individual tracks. [2]
A stump microphone, informally known as a stump mic, is a microphone embedded in a cricket stump. It was originally developed by Kerry Packer for World Series Cricket in the 1970s. [ 1 ] At first it was primarily for entertainment value: "television audiences could hear the rattle of stumps".
A microphone, colloquially called a mic (/ m aɪ k /), [1] or mike, [a] is a transducer that converts sound into an electrical signal. Microphones are used in many applications such as telephones , hearing aids , public address systems for concert halls and public events, motion picture production, live and recorded audio engineering , sound ...
Upsweep is an unidentified sound detected on the American NOAA's equatorial autonomous hydrophone arrays. This sound was present when the Pacific Marine Environmental Laboratory began recording its sound surveillance system, SOSUS, in August 1991. It consists of a long train of narrow-band upsweeping sounds of several seconds in duration each.
A wireless microphone, or cordless microphone, is a microphone without a physical cable connecting it directly to the sound recording or amplifying equipment with which it is associated. Also known as a radio microphone , it has a small, battery-powered radio transmitter in the microphone body, which transmits the audio signal from the ...
In close miking, a microphone is placed relatively close to an instrument or sound source, within three to twelve inches, producing a dry or non-reverberant sound. [1] This serves to reduce extraneous noise, including room reverberation and is commonly used when attempting to record a number of separate instruments while keeping the signals ...
To maximize gain before feedback, the amount of sound energy that is fed back to the microphones must be reduced as much as is practical.As sound pressure falls off with 1/r with respect to the distance r in free space, or up to a distance known as reverberation distance in closed spaces (and the energy density with 1/r²), it is important to keep the microphones at a large enough distance ...