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"It's Not Over" is the debut single of American rock band Daughtry, taken from their self-titled debut studio album. It rose to number four on the Billboard Hot 100 and was certified platinum in May 2007 by the RIAA. It was listed in the top 10 digital selling songs of 2007, [2] and it was certified 2× platinum for digital sales in 2019. [3]
"The game isn't over until the final out" is an older aphorism pertaining to baseball, meaning that even if one team is behind, they always have a chance of winning until the third out of the final inning completes the game. "It ain't over till it's over", a variation of the above phrase popularized by baseball player Yogi Berra.
"It's Not Over" is a song written by Mark Wright and Larry Kingston, ... The song was the "Hot Shot Debut", meaning the highest-debuting song of the week, ...
"It Ain't Over 'til It's Over" is a song written, produced, and performed by American musician Lenny Kravitz for his second studio album, Mama Said (1991). Released as the album's second single in June 1991 by Virgin , the song is a mid- tempo ballad musically inspired by Motown, Philly soul , and Earth, Wind & Fire (particularly " That's the ...
It's Not Over (Luong Bich Huu album), 2008; It's Not Over (Debelah Morgan album), 1998; It's Not Over (Karen Clark Sheard album), 2006, and the title song; It's Not Over (Shooting Star album), 1991; It's Not Over, 1995 album by Bobby DeBarge, and the title song
"Fool (If You Think It's Over)" is a song written and originally released in 1978 by English singer-songwriter Chris Rea. It appears on his debut album, Whatever Happened to Benny Santini? , and peaked at number 12 in the US, becoming his highest charting single there.
The release of the movie adaptation of “Wicked” last November, and the use of the song in its promotional materials, bolstered the popularity of “Defying Gravity” even further.
"It's Not Over" is built out of a bassline with funk-tinged guitar and organ; brief synthesizer parts add to the song's psychedelic nature. [2] Called "buoyant" and "soulful" [1] and featuring an upbeat brass section, the song is representative of Harding's sound: soul music augmented with attributes from psychedelia and a "judicious approach to arrangement."