Search results
Results from the WOW.Com Content Network
This Is Where I Leave You is a 2014 American comedy drama film directed by Shawn Levy, and starring Jason Bateman, Tina Fey, Adam Driver, Rose Byrne, Corey Stoll, Kathryn Hahn, Connie Britton, Timothy Olyphant, Dax Shepard and Jane Fonda. It is based on the 2009 novel of the same title by Jonathan Tropper, who also wrote the film's screenplay. [3]
2014 Pump: Narrator The Longest Week: Conrad Valmont This Is Where I Leave You: Judd Altman Horrible Bosses 2: Nick Hendricks 2015 A Lego Brickumentary: Narrator Voice The Gift: Simon Callem [5] The Family Fang: Baxter Fang Also producer/director [6] 2016 Zootopia: Nick Wilde Voice [7] [3] Central Intelligence: Trevor Olson Office Christmas ...
Nick Hendricks, Dale Arbus and Kurt Buckman are friends working in Riverside, California who despise their bosses: Nick works at a financial firm for the sadistic Dave Harken, who hints at a possible promotion for Nick for months, only to award it to himself; Dale is a dental assistant being sexually harassed by his boss, Dr. Julia Harris, who threatens to tell his fiancée Stacy that he had ...
How I Live Now is a 2013 romantic speculative drama film based on the 2004 novel of the same name by Meg Rosoff.It was directed by Kevin Macdonald, written by Tony Grisoni, Jeremy Brock and Penelope Skinner while starring Saoirse Ronan, George MacKay, Tom Holland, Harley Bird, Anna Chancellor and Corey Johnson.
Shopping. Main Menu
What causes the end of the world in ‘Leave the World Behind’? Maybe it was a barricade of self-driving cars creating a barricade of the main road. Maybe it was the downed airplanes, or the ...
The plot revolves around a case of mistaken identity in New York City, where a bored married couple's attempt to rekindle their romance on a glamorous night out spirals into an unexpected, dangerous adventure. Date Night premiered in New York City on April 6, 2010, and was released theatrically on April 9, 2010, by 20th Century Fox. The film ...
Jeannette Catsoulis of The New York Times gave the film a negative review and wrote, "But though the developing bond between the two men — one of whom is virtually nonverbal — is credible and even touching, the storytelling is too oblique to reel you in." [2]