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Sumerian dignitary, Uruk, circa 3300-3000 BCE. National Museum of Iraq. [3] [4] Fragment of a Bull Figurine from Uruk, c. 3000 BCEVotive sculptures in the form of small animal figurines have been found at Uruk, using a style mixing naturalistic and abstract elements in order to capture the spiritual essence of the animal, rather than depicting an entirely anatomically accurate figure.
Ištaran was a prominent [178] god, who served as the tutelary deity of the Sumerian city-state of Der, which was located east of the Tigris river on the border between Mesopotamia and Elam. [163] His wife was the goddess Šarrat-Dēri, whose name means "Queen of Der", [ 163 ] or alternatively Manzat (goddess of the rainbow), [ 178 ] and his ...
Sumerian religion was the religion practiced by the people of Sumer, the first literate civilization found in recorded history and based in ancient Mesopotamia, and what is modern day Iraq. The Sumerians widely regarded their divinities as responsible for all matters pertaining to the natural and social orders of their society.
Foundation figures were ritualistic works of art from the Early Dynastic period that were used in the construction of ancient Mesopotamian temples. Foundation pegs first appeared in ancient Sumer around the third millennium BCE. [1] Stylized as anthropomorphic nails, foundation figures were symbolically used to mark the grounds of a temple. [2]
The myth was developed with the addition of CBS 8384, translated by George Aaron Barton in 1918 and first published as "Sumerian religious texts" in "Miscellaneous Babylonian Inscriptions," number eleven, entitled "A Fragment of the so-called 'Liturgy to Nintud.'" [6] The tablet is 5.25 by 2.4 by 1.2 inches (13.3 by 6.1 by 3.0 cm) at its ...
Enlil, [a] later known as Elil and Ellil, is an ancient Mesopotamian god associated with wind, air, earth, and storms. [4] He is first attested as the chief deity of the Sumerian pantheon, [5] but he was later worshipped by the Akkadians, Babylonians, Assyrians, and Hurrians.
In Sumerian, the designation "An" was used interchangeably with "the heavens" so that in some cases it is doubtful whether, under the term, the god An or the heavens is being denoted. [ 209 ] [ 210 ] In Sumerian cosmogony, heaven was envisioned as a series of three domes covering the flat earth; [ 211 ] [ 10 ] Each of these domes of heaven was ...
In a back-to-back article, E. Douglas Van Buren examined examples of Sumerian art, which had been excavated and provenanced and she presented examples: Ishtar with two lions, the Louvre plaque (AO 6501) of a nude, bird-footed goddess standing on two Ibexes [42] and similar plaques, and even a small haematite owl, although the owl is an isolated ...