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Peruvian music is an amalgamation of sounds and styles drawing on Peru's Andean, Spanish, and African roots. Andean influences can perhaps be best heard in wind instruments and the shape of the melodies, while the African influences can be heard in the rhythm and percussion instruments, and European influences can be heard in the harmonies and stringed instruments.
This category contains articles relating to musical instruments developed in Peru. Pages in category "Peruvian musical instruments" The following 12 pages are in this category, out of 12 total.
Peruvian culture is the gradual blending of Amerindian cultures with European and Asian ethnic groups. The ethnic diversity and rugged geography of Peru allowed diverse traditions and customs to co-exist. Peruvian culture has been deeply influenced by Native culture, Spanish culture, and Asian culture.
The cajón was developed during the periods of slavery in coastal Peru. The instrument reached a peak in popularity by 1850, and by the end of the 19th century cajón players were experimenting with the design of the instrument by bending some of the planks in the cajón's body to alter the instrument's patterns of sound vibration. [2]
In music, the organ is a keyboard instrument of one or more pipe divisions or other means (generally woodwind or electric) for producing tones. The organs have usually two or three, up to five, manuals for playing with the hands and a pedalboard for playing with the feet. With the use of registers, several groups of pipes can be connected to ...
Shrieker: An instrument from the South of the Peru similar to the walaycho, made of wood or armadillo. Typically less than 30 centimetres (12 in) long, it differs from the walaycho in having 12 strings, usually metal, in five courses; the second and fourth courses are triple-strung.
Street band from Peru performing El Cóndor Pasa in Tokyo. Andean music is a group of styles of music from the Andes region in South America.. Original chants and melodies come from the general area inhabited by Quechuas (originally from Peru, Bolivia, Ecuador, Chile), Aymaras (originally from Bolivia), and other peoples who lived roughly in the area of the Inca Empire prior to European contact.
The siku is originally from the Aymaras of Peru and Bolivia, where a woman would play her siku as she came down from the mountains.Since the largest siku has every note (A-G), and was too big for the woman, they often got two sikus (usually smaller ones) that would be played together with someone else, so they could play them continuously after each other and thus the scales could fully be played.