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Slater graduated in 1985 from Brandeis University. [4] Slater was a 2002–2003 Knight Science Journalism Fellow at the Massachusetts Institute of Technology. [5]After the birth of her daughter, Slater wrote her memoir Love Works Like This, [6] to chronicle the decisions she made related to her psychiatric illness and her pregnancy.
Opening Skinner's Box: Great Psychological Experiments of the Twentieth Century (W. W. Norton & Company, 2004, ISBN 0393050955), is a book by Lauren Slater.. In this book, Slater sets out to describe some of the psychological experiments of the twentieth century.
the first has somehow, in some way, been my best year yet. So, as I often say to participants in the workshop, “If a school teacher from Nebraska can do it, so can you!”
The Moth Presents: All These Wonders. True Stories About Facing the Unknown is a 2017 collection of stories from the radio program The Moth , edited by the show's artistic director Catherine Burns on the 20th anniversary of the show's 1997 founding.
This file has an extracted image: My Blue Heaven (1927) sheet music cover.jpg. Licensing This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise.
Frances O'Connor (September 8, 1914 – January 30, 1982) was an American entertainer. Born without arms, she made her living appearing in circus sideshows billed as the armless wonder or the living Venus de Milo. [1]
At a girls' boarding school, a 16-year-old unnamed narrator, records her most intimate thoughts in a diary. The object of her growing obsession is her roommate, Lucy Blake, and Lucy's friendship with their new and disturbing classmate, Ernessa. Around her swirl dark rumors, suspicions, and secrets as well as a series of ominous disasters.
Publishers Weekly called the work "hilariously sleazy" and praised Waters for sustaining humor throughout. [6] Molly Young of The New York Times praised Waters' brand of "weirdo" hyberbole, and felt he made a rare achievement in that "every character thinks and speaks exactly like the author", and to success. [3]
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