Search results
Results from the WOW.Com Content Network
With Clayton-Thomas fronting the band, Blood, Sweat & Tears continued with a string of hit albums, including Blood, Sweat & Tears 3 which featured Carole King's "Hi-De-Ho" and Clayton-Thomas's "Lucretia MacEvil", and Blood, Sweat & Tears 4, which yielded another Clayton-Thomas-penned hit single, "Go Down Gamblin'" and "Lisa Listen to Me".
Blood, Sweat & Tears (also known as "BS&T") is an American jazz rock music group founded in New York City in 1967, noted for a combination of brass with rock instrumentation. BS&T has gone through numerous iterations with varying personnel and has encompassed a wide range of musical styles.
Jim Fielder (born October 4, 1947 in Denton, Texas) is an American bassist, best known for his work as an original member of Blood, Sweat & Tears. [1] Prior to BS&T, he was rhythm guitarist for Frank Zappa's band The Mothers of Invention. Fielder attended Loara High School in Anaheim, California.
"What the Hell Happened to Blood, Sweat & Tears?" is, in a funny way, like the squarest early-'70s concert film ever made, because the band travels behind the Iron Curtain…and there’s no ...
John Scheinfeld's documentary, part exposé, part concert film, probes a controversial 1970 Iron Curtain tour and its impact on the horn-driven jazz-rock band's demise.
He joined Blood, Sweat, and Tears in 1970 after Jerry Hyman departed and first appeared on the album B, S & T; 4. With this group, he recorded the jazz-rock solo on the tuba in "And When I Die/One Room Country Shack" on the album Live and Improvised. His recording credits with BS&T include eleven albums.
Title Album details Peak chart positions Certifications; US [1]AUS [4]CAN [5]Greatest Hits: Released: February 1972; Label: Columbia; Formats: LP, MC, 8-track, reel-to-reel
Though their 1989 debut album Blood, Sweat and No Tears was a moderate success, Sick of It All did not achieve commercial success until later albums. After the release of their second album Just Look Around in 1992, East West Records saw the band's potential and signed them in 1993.