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Tune-o-matic (also abbreviated to TOM) is the name of a fixed or floating bridge design for electric guitars. It was designed by Ted McCarty (Gibson Guitar Corporation president) and introduced on the Gibson Super 400 guitar in 1953 and the Les Paul Custom the following year. [1] In 1955, it was used on the Gibson Les Paul Gold Top. It was ...
A stoptail bridge (sometimes also called a stopbar bridge) used on a solid body electric guitar or archtop guitar is a specialized kind of fixed hard-tail bridge. Hard-tail bridged guitars use different bridges from those guitars fitted with vibrato systems (which are also known as tremolo arms or whammy bars).
The bridge is curved to follow the arc of a strum from the hands which hold the shortened raised handles directly in the palms. [clarification needed] A metal crossbar at the top of the bridge functions as a mechanical tone control and bridge stabilizer. The instrument connects to an amplifier like an electric guitar.
Badass was first trademarked by Leo Quan, a manufacturer of bridges for guitars and basses. Badass bridges (used on the Martin EB18 electric bass and a replacement bridge on the Fender Precision Bass) feature individually adjustable saddles, which allows for "extremely accurate intonation adjustments."
On a cello, the strings are attached to the tailpiece and are held above the soundboard by the bridge.. A bridge is a device that supports the strings on a stringed musical instrument and transmits the vibration of those strings to another structural component of the instrument—typically a soundboard, such as the top of a guitar or violin—which transfers the sound to the surrounding air.
The bridge is a standard Gibson Tune-o-matic, less heavy than the Schaller-made rectangular bridges from the mid-1970s, often called "harmonica" bridges. [ citation needed ] The pick-ups are not the original's ceramic sealed Bill Lawrence-designed "super humbuckers", but two humbucking pickups with four-conductor split-coil wiring—a 490R in ...
3rd bridge preparation, the front and the back tone are in a reciprocal relationship and known as the bi-tone [1]. On a standard guitar, the string is held above the soundboard by two nodes: the "nut" (near the headstock) and the "bridge" (near the player's right hand on a standard guitar).
The '51 uses a humbucker pickup in the bridge position and a single-coil (R≈3.5kΩ) pickup in the neck position. The 4-wire bridge pickup allows for coil splitting by pulling up on the volume control knob to limit the humbucker to single-coil output. The neck pickup is slanted with respect to the strings, better aligning the single-coil pole ...
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related to: electric guitar bridge placement guide