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Fluxus Manifesto, 1963, by George Maciunas Poster to Festum Fluxorum Fluxus 1963. Fluxus was an international, interdisciplinary community of artists, composers, designers, and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product.
Poster to Festum Fluxorum Fluxus 1963. George Maciunas (English: / m ə ˈ tʃ uː n ə s /; Lithuanian: Jurgis Mačiūnas; November 8, 1931 Kaunas – May 9, 1978 Boston, Massachusetts) was a Lithuanian American artist, art historian, and art organizer who was the founding member and central coordinator of Fluxus, [1] an international community of artists, architects, composers, and designers.
In 2003, the art galleries at Mason Gross School of the Arts held Critical Mass: Happenings, Fluxus, Performance, Intermedia and Rutgers University, 1958-1972 to coincide with the release of a book by the same name by Geoffrey Hendricks. It featured artifacts from performances by Rutgers-affiliated Fluxus artists.
At Bauermeister's atelier, Patterson also met Nam June Paik, through whom he met Fluxus founder George Maciunas and came to play an integral role in organizing the early European Fluxus festivals. [5] Patterson was a founding member of Fluxus [6] and participated in the first Fluxus Festival in Wiesbaden (1962). [7]
Fluxus 1, 1964.This copy in the Archiv Sohm, Staatsgalerie Stuttgart. Fluxus 1 is an artists' book edited and produced by the Lithuanian-American artist George Maciunas, containing works by a series of artists associated with Fluxus, the international collective of avant-garde artists primarily active in the 1960s and 1970s.
He was a member of Fluxus, a movement that originated on an artists' collective around George Maciunas. He was the father of Andy Warhol protégé Bibbe Hansen [2] and the grandfather and artistic mentor of rock musician Beck and artist Channing Hansen. Bibbe and Channing continue his legacy by performing some of his most iconic works. [3]
Something Else was an early publisher of Concrete poetry and other works by Fluxus artists throughout the 1960s. During the 1960s in New York City some of the artists who worked at the Something Else Press included Editor-in-Chief Emmett Williams, artist Alison Knowles, poet Larry Freifeld, [1] [2] [3] novelist Mary Flanagan, artist Ronnie Landfield, [4] [5] and publisher/founder Dick Higgins.
His artwork embraced the sentiments of the movement. Namely, its 'anti-art' stance, inherited from the Dadaists, and its emphasis on the event as an artwork (called a Happening or an Action Event). Page performed many Happenings, including one titled Guitar , which involved him in kicking his guitar with the help of an audience along the Mall ...
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