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Cante jondo (Spanish: [ˈkante ˈxondo]) is a vocal style in flamenco, an unspoiled form of Andalusian folk music. The name means "deep song" in Spanish, with hondo ("deep") spelled with J (Spanish pronunciation:) as a form of eye dialect, because traditional Andalusian pronunciation has retained an aspirated H lost in other forms of Spanish.
Its origins are uncertain but scholars see many influences in the cante flamenco including: The traditional song of the gitanos (Spanish Gypsies), the Perso-Arab Zyriab song form, the classical Andalusian orchestras of the Islamic Empire, the Jewish synagogue chants, Mozarabic forms such as zarchyas and zambra, Arabic zayal (the foundation for ...
In singing, a controlled swell (i.e. crescendo then diminuendo, on a long held note, especially in Baroque music and in the bel canto period) [2] mesto Mournful, sad meter or metre The pattern of a music piece's rhythm of strong and weak beats mezza voce Half voice (i.e. with subdued or moderated volume) mezzo
For example, to determine that a song belongs to the palo called Bulerías, only the rhythm is taken into consideration, no matter its mode or stanza. Fandangos , on the other hand, include a variety of forms in 3 / 4 or 6 / 8 , but later it developed "free" forms (that is, with no determined rhythm).
"Voy a quedarme" (Spanish pronunciation: [ˈboj a keˈðaɾme]; "I am going to stay") is a song by Spanish singer Blas Cantó, written by Dan Hammond, Leroy Sanchez, Dangelo Ortega, and Cantó himself. It was released as a digital download and for streaming on 10 February 2021.
final version of the siguiriya; literally, honest, exact, complete. café cantante prime venue for flamenco in the 19th century cambio change of key and lightening of tone to end a song campanilleras songs that originally came from a religious brotherhood who would go to prayers to the sound of handbells - hence the name, which means "bellringers"
Siboney", also known as "Canto Siboney", is a 1927 song by Cuban composer Ernesto Lecuona. It was part of the 1927 revue La tierra de Venus , which featured singer Rita Montaner . [ 1 ] The music is in cut time , originally written in C major . [ 2 ]
Syllabic chants have mostly one note per syllable. Neumatic chants have a small number of notes, often just two or three, notes per syllable. Melismatic chants feature long, florid runs of notes, called melismas, on individual syllables. In both Visigothic/Mozarabic and Gregorian chant, there is a distinction between antiphonal and responsorial ...