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Artists followed new discoveries in perception with great interest. [28] Chevreul was perhaps the most important influence on artists at the time; his great contribution was producing a colour wheel of primary and intermediary hues. Chevreul was a French chemist who restored tapestries.
The work is constructed with brilliant hues of blues and greens juxtaposing one another. When standing close to the painting, the only discernible features are the brush strokes; this technique of painting was labeled, Pointillism, by Seurat. Artists using this technique along with Seurat became known as Neo-Impressionists. [1]
Detail from Seurat's Parade de cirque, 1889, showing the contrasting dots of paint which define Pointillism. Pointillism (/ ˈ p w æ̃ t ɪ l ɪ z əm /, also US: / ˈ p w ɑː n-ˌ ˈ p ɔɪ n-/) [1] is a technique of painting in which small, distinct dots of color are applied in patterns to form an image.
Georges Seurat, Study for "A Sunday Afternoon on La Grande Jatte", 1884, oil on canvas, 70.5 x 104.1 cm, Metropolitan Museum of Art, New York Georges Seurat painted A Sunday Afternoon between May 1884 and March 1885, and from October 1885 to May 1886, focusing meticulously on the landscape of the park [2] and concentrating on issues of colour, light, and form.
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Pieter Cornelis Mondriaan (Dutch: [ˈpitər kɔrˈneːlɪs ˈmɔndrijaːn]; 7 March 1872 – 1 February 1944), known after 1911 as Piet Mondrian (/ p iː t ˈ m ɒ n d r i ɑː n /, US also /-ˈ m ɔː n-/, Dutch: [pit ˈmɔndrijɑn]), was a Dutch painter and art theoretician who is regarded as one of the greatest artists of the 20th century.
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