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The painting is dominated by a depiction of a stemmed silver fruit bowl containing pears. A deliberately created optical illusion of the human face occupies the same space as the dish; the fruits suggest wavy hair, the dish's bowl becomes the forehead, the stem of the dish serves as the bridge of the nose, and the dish's foot doubles as the chin.
Manet, On the Beach, 1873. Compositionally, the painting departs from the conventions of the era. Gauguin crowds the two figures into the space of the canvas, yet they are completely independent of one another. [11]: 236 Art historians have compared this aspect of the work to the treatment of figures in Manet's On the Beach. [9]: 236
The beach depicted here is probably not in the Channel Islands but near Dieppe, on the Normandy coast. The model was Aline Charigot , his then girlfriend, whom he married in 1890. [ 2 ] The arc of the sitter's dark eyebrows and saucily tilted nose in that pleasant, rosy-cheeked face are common to works by Renoir.
Clotilde en la playa, 1904 Paseo del faro, 1906 Elena en la playa, 1909. Born in Valencia, Joaquín Sorolla had been familiar since his youth with life on the sea. In his early work, there is the traditional port view Marina, Barcos en el Puerto with which he made his debut in the art exhibition Expsoición National in Madrid in 1881. [17]
Metropolitan Museum of Art, New York City 047 15.9 × 24.8 More images: 1882 Peasant with Hoe [31] Solomon R. Guggenheim Museum, New York City 048 46.3 × 56.1 More images: 1882 Haystacks [32] National Gallery of Art, Washington. D.C. 15.9 × 24.7 More images: 1882 to 1883 View of the Seine [33] Metropolitan Museum of Art, New York City 081 15. ...
Georges Seurat, Study for "A Sunday Afternoon on La Grande Jatte", 1884, oil on canvas, 70.5 x 104.1 cm, Metropolitan Museum of Art, New York Georges Seurat painted A Sunday Afternoon between May 1884 and March 1885, and from October 1885 to May 1886, focusing meticulously on the landscape of the park [2] and concentrating on issues of colour, light, and form.
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Marine art or maritime art is a form of figurative art (that is, painting, drawing, printmaking and sculpture) that portrays or draws its main inspiration from the sea. Maritime painting is a genre that depicts ships and the sea—a genre particularly strong from the 17th to 19th centuries. [ 1 ]
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