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St. Catherine's taffy is a candy made by French Canadian girls to honor St. Catherine, the patron saint of unmarried women on her feast day. St. Catherine's Day is sometimes known in among French-Canadians as "taffy day", a day when marriage-age girls would make taffy for eligible boys.
A rare version with both saints: Ambrogio Bergognone, The Mystical Marriage of Saint Catherine of Alexandria and Saint Catherine of Siena. The mystical marriage of Saint Catherine covers two different subjects often shown in Catholic art arising from visions received by either Catherine of Alexandria or Catherine of Siena (1347–1380), in which these virgin saints went through a mystical ...
Mystic Marriage of Saint Catherine or Mystic Marriage of Saint Catherine with Saints is a c.1510–1511 oil on canvas painting by Correggio, now in the National Gallery of Art in Washington. [1] Its central group is a Metterza, with Catherine of Alexandria kneeling before them and saints Francis of Assisi and Dominic to either side.
The Mystic Marriage of St. Catherine (or Virgin and Child with Saints Catherine of Alexandria and Barbara) is a c. 1480 oil-on-oak painting by the Early Netherlandish painter Hans Memling, now in the Metropolitan Museum of Art, New York. The Virgin Mary sits on a throne in a garden holding the Child Jesus in her lap.
In this depiction of the mystical marriage of Saint Catherine of Alexandria, the saint kneeling accepts from the child Jesus a rose, the latter symbol of love and martyrdom; in her left hand is a marital ring. Hanging from a sash is a purse with the name of Christ; the sash has a medallion with an angel holding a balance.
The Mystic Marriage of Saint Catherine is a c.1575 oil-on-canvas painting by Paolo Veronese, produced as the high altarpiece for Santa Caterina church in Venice. It remained there until the First World War, during which it was moved to its present home in the city's Gallerie dell'Accademia [ 1 ]
Mystic Marriage of Saint Catherine is an oil painting on canvas of c. 1547–1550 by the Italian Renaissance painter Paolo Veronese. It was in the Liechtenstein Collection by 1767 [ 1 ] and was acquired in 1926 by Catherine Barker Spaulding Hickox, who in 1970 bequeathed it to its present owner, the Barker Welfare Foundation.
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