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Imogen in her bedchamber in Act II, scene ii, when Iachimo witnesses the mole under her breast. Painting by Wilhelm Ferdinand Souchon, 1872. Cymbeline (/ ˈ s ɪ m b ɪ l iː n /), also known as The Tragedie of Cymbeline or Cymbeline, King of Britain, is a play by William Shakespeare set in Ancient Britain (c. 10–14 AD) [a] and based on legends that formed part of the Matter of Britain ...
That in contrast, Shakespeare of Stratford had never held a legal position or office, and had only been in court over petty lawsuits late in life. That small towns lionize and celebrate their famous authors for generations, but this had not happened in Shakespeare's case. He described his own fame in Hannibal as a case in point.
William Shakespeare [a] (c. 23 [b] April 1564 – 23 April 1616) [c] was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "the Bard").
"Friends, Romans": Orson Welles' Broadway production of Caesar (1937), a modern-dress production that evoked comparison to contemporary Fascist Italy and Nazi Germany "Friends, Romans, countrymen, lend me your ears" is the first line of a speech by Mark Antony in the play Julius Caesar, by William Shakespeare.
The line "all the world's a stage [...]" from Shakespeare's First Folio [1] Richard Kindersley's sculpture The Seven Ages of Man in London "All the world's a stage" is the phrase that begins a monologue from William Shakespeare's pastoral comedy As You Like It, spoken by the melancholy Jaques in Act II Scene VII Line 139.
"Tomorrow and tomorrow and tomorrow" is the beginning of the second sentence of one of the most famous soliloquies in William Shakespeare's tragedy Macbeth. It takes place in the beginning of the fifth scene of Act 5, during the time when the Scottish troops, led by Malcolm and Macduff , are approaching Macbeth 's castle to besiege it.
Loosely based on William Shakespeare’s comedy Much Ado About Nothing, Anyone But You is chock-full of references to its source material that could be easily overlooked by the casual viewer.
Must give us pause. There's the respect That makes Calamity of so long life: For who would bear the Whips and Scorns of time, The Oppressor's wrong, the proud man's contumely, [F: poore] The pangs of despised Love, the law’s delay, [F: dispriz’d] The insolence of office, and the spurns That patient merit of th'unworthy takes,