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In America is a 2002 drama film directed by Jim Sheridan. The semi-autobiographical screenplay by Jim Sheridan and his daughters, Naomi and Kirsten , focuses on an immigrant Irish family's struggle to start a new life in New York City, as seen through the eyes of the elder daughter.
The year featured a diverse array of cinematic productions, ranging from major studio blockbusters to independent and streaming platform releases. The 2023 Hollywood labor disputes , including the Writers Guild of America strike and SAG-AFTRA strike , had a significant impact on the 2024 release schedule, with many films being postponed due to ...
Opening Title Production company Cast and crew Ref. J A N U A R Y: 11 Lionheart: Universal Pictures: Sheldon Lettich (director/screenplay); S.N. Warren, Jean-Claude Van Damme (screenplay); Jean-Claude Van Damme, Harrison Page, Deborah Rennard, Brian Thompson, Lisa Pelikan, Ashley Johnson, Ash Adams, Voyo Goric, Michel Qissi, Tony Halme, Clement von Franckenstein, Abdel Qissi
Opening Title Production company Cast and crew Ref. J A N U A R Y: 13 Angel: New World Pictures: Robert Vincent O'Neill (director/screenplay); Joseph Michael Cala (screenplay); Cliff Gorman, Susan Tyrrell, Dick Shawn, Rory Calhoun, Donna Wilkes, John Diehl, Elaine Giftos, Mel Carter, David Underwood, Ken Olfson, Peter Jason, Ross Hagen, Dick Valentine, Marc Hayashi, Bob Gorman, Todd Hoffman ...
Opening Title Production company Cast and crew Ref. J A N U A R Y: 12 Bio-Dome: Metro-Goldwyn-Mayer / Motion Picture Corporation of America: Jason Bloom (director); Adam Leff, Mitchell Peck, Jason Blumenthal (screenplay); Pauly Shore, Stephen Baldwin, William Atherton, Joey Adams, Teresa Hill, Rose McGowan, Kylie Minogue, Dara Tomanovich, Henry Gibson, Patricia Hearst, Roger Clinton, Taylor ...
Part true crime, part rockumentary, a film on the life of Myles Connor premieres on St. Patrick's Day. The Patriot Ledger sat down with him. Rock 'n' roller Myles Connor turned to life of crime.
Every CinemaScope movie lost much of its appeal when shown on television in the 1960s and 1970s, even if it was in black-and-white, but There's No Business Like Show Business was hit especially hard because of cinematographer Leon Shamroy’s numerous tracking shots of cast members on the wide screen as they hit a lot of marks on soundstages ...
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