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From the late 19th century the term ballad began to be used for sentimental songs with their origins in the early ‘Tin Pan Alley’ music industry. [5] As new genres of music, including the blues, began to emerge in the early 20th century the popularity of the genre faded, but the association with sentimentality meant led to this being used as the term for a slow love song from the 1950s onward.
"The Weary Blues" is a poem by American poet Langston Hughes. Written in 1925, [1] "The Weary Blues" was first published in the Urban League magazine Opportunity. It was awarded the magazine's prize for best poem of the year. The poem was included in Hughes's first book, a collection of poems, also entitled The Weary Blues. [2]
Maria Wiik, Ballad (1898) A ballad is a form of verse, often a narrative set to music. Ballads were particularly characteristic of the popular poetry and song of Great Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America.
Sir Patrick Spens remains one of the most anthologized of British popular ballads, partly because it exemplifies the traditional ballad form. The strength of this ballad, its emotional force, lies in its unadorned narrative which progresses rapidly to a tragic end that has been foreshadowed almost from the beginning.
Funeral Blues", or "Stop all the clocks", is a poem by W. H. Auden which first appeared in the 1936 play The Ascent of F6. Auden substantially rewrote the poem several years later as a cabaret song for the singer Hedli Anderson. Both versions were set to music by the composer Benjamin Britten.
Refugee Blues" is a poem by W. H. Auden, written in 1939, one of a number of poems Auden wrote in the mid-to-late-1930s in blues and other popular metres, for example, the meter he used in his love poem "Calypso", written around the same time.
When the word ballad appears in the title of a song, as for example in the Beatles' "The Ballad of John and Yoko" (1969) or Billy Joel's "The Ballad of Billy the Kid" (1974), the folk music sense is generally implied. The term ballad is also sometimes applied to strophic story-songs more generally, such as Don McLean's "American Pie" (1971).
Mexico City Blues is a long poem by Jack Kerouac, composed of 242 "choruses" or stanzas, which was first published in 1959.Written between 1954 and 1957, the poem is the product of Kerouac's spontaneous prose technique, his Buddhist faith, emotional states, and disappointment with his own creativity—including his failure to publish a novel between 1950's The Town and the City and the more ...