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The Birth of Venus (Italian: Nascita di Venere [ˈnaʃʃita di ˈvɛːnere]) is a painting by the Italian artist Sandro Botticelli, probably executed in the mid-1480s. It depicts the goddess Venus arriving at the shore after her birth, when she had emerged from the sea fully-grown (called Venus Anadyomene and often depicted in
Venus Frigida; Venus in Search of Cupid Surprises Diana; Venus of Poetry; Venus of Urbino; Venus Persuading Helen to Love Paris; Venus plays the Harp; Venus Verticordia (Rossetti) Venus Weeping for Adonis (Poussin) Venus with a Mirror; Venus with a Satyr and Two Cupids; Venus with Mercury and Cupid; Venus, Cupid and Mars; Venus, Cupid, Folly ...
Peter Paul Rubens' Venus at the Mirror, c. 1614–15, shows the goddess with her traditionally blond hair. [7] As with Velázquez's Venus, the goddess's reflected image does not match that portion of her face visible on the canvas. In contrast to Rubens' luscious and 'rounded' ideal form, Velázquez painted a more slender female figure. [8]
Venus is nude on a rococo canapé in a lavish interior whose drawn curtains reveal a garden in the background. Three small putti accompany the goddess and help her to tend to her appearance, one arranging her hair, another handing her a ribbon, and belowa third raises a silver platter with a pearl necklace.
Dresden Venus (c. 1510–11), traditionally attributed to Giorgione but for which Titian completed at least the landscape.. The Venus of Urbino (also known as Reclining Venus) [1] is an oil painting by Italian painter Titian, depicting a nude young woman, traditionally identified with the goddess Venus, reclining on a couch or bed in the sumptuous surroundings of a Renaissance palace.
Venus and Mars, c 1485. Tempera and oil on poplar panel, 69 cm x 173 cm. [1] National Gallery, London. Venus and Mars (or Mars and Venus) is a panel painting of about 1485 by the Italian Renaissance painter Sandro Botticelli. [2] It shows the Roman gods Venus, goddess of love, and Mars, god of war, in an allegory
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