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Yorkville Sound began in 1963 [7] [8] in the back room of Long & McQuade, a music store on Yonge Street in Toronto. Peter Traynor was working as the business's repairman [9] and had been customizing amplifiers by using readily available components. [10]
The U.S. Army Herald Trumpets, who use a combination of E-flat, B-flat mezzo-soprano, B-flat tenor, and bass herald trumpets, playing The Star-Spangled Banner A fanfare trumpet , also called a herald trumpet , is a brass instrument similar to but longer than a regular trumpet (tubing is the same length as a regular Bb trumpet but not wrapped ...
The Mendez trumpet was used and endorsed by the likes of David Jandorf and Clyde McCoy. The large bore (.468") Opera trumpet and cornet models followed several years later. Rafael Méndez's name and the use of the Recording and Super models by other professionals is credited with enhancing the image and sales of Olds instruments.
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Long time employee Tedd Waggoner took the lead role in the company until his retirement in 2018. Minor changes to design such as a longer receiver and reintroducing the oldest Bach bell taper happened during this period, as did the ramping-up of a new 190 series of "Artisan" trumpets that replicated the 2-piece casings and steel rim wire of ...
In 1971, he started a jazz rock band named "Chase" that mixed pop, rock, blues, and four trumpets. [5] The debut album Chase was released in April 1971. Chase was joined by Ted Piercefield, Alan Ware, and Jerry Van Blair, three jazz trumpeters who were adept at vocals and arranging.
David G. Monette (born 1956, Kalamazoo, Michigan) is an American craftsman who designs and builds custom brass instruments and mouthpieces for musicians. [1] [2]Monette's experience as a trumpeter and the influence of acoustician Arthur Benade led Monette to redesign the trumpet mouthpiece with the goal of improving playability and sound quality.
J. S. Bach, for example, calls for a trumpet in B ♭ in his Cantatas Nos. 5 and 90, trumpets in E ♭ in the first version of his Magnificat and, most famously, the solo trumpet in high F in his Brandenburg Concerto No. 2. In the 18th century various attempts were made to overcome the limitations in the notes available to natural trumpets.
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