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In 2009, director Brad Mays, along with Nobel Prize winner Wole Soyinka, stage director Richard Schechner, and actor Alan Cumming was invited to discuss Euripides' The Bacchae as part of a web series Invitation to World Literature, which officially launched on Annenberg Media's educational website in September, 2010. [7]
The Bacchae (/ ˈ b æ k iː /; Ancient Greek: Βάκχαι, Bakkhai; also known as The Bacchantes / ˈ b æ k ə n t s, b ə ˈ k æ n t s,-ˈ k ɑː n t s /) is an ancient Greek tragedy, written by the Athenian playwright Euripides during his final years in Macedonia, at the court of Archelaus I of Macedon.
Electra (Greek: Ηλέκτρα Ilektra) is a 1962 Greek film based on the play Electra, written by Euripides.It was directed by Michael Cacoyannis, serving as the first installment of his "Greek tragedy" trilogy, followed by The Trojan Women in 1971 and Iphigenia in 1977.
Hecuba (Ancient Greek: Ἑκάβη, Hekabē) is a tragedy by Euripides, written c. 424 BC.It takes place after the Trojan War but before the Greeks have departed Troy (roughly the same time as The Trojan Women, another play by Euripides).
Bellerophon (Ancient Greek: Βελλεροφῶν, Bellerophōn) is an ancient Greek tragedy written by Euripides, based upon the myth of Bellerophon. Most of the play was lost by the end of the Antiquity, and only 90 verses, grouped into 29 fragments, currently survive.
Rhesus (Ancient Greek: Ῥῆσος, Rhēsos) is an Athenian tragedy that belongs to the transmitted plays of Euripides.Its authorship has been disputed since antiquity, [1] and the issue has invested modern scholarship since the 17th century when the play's authenticity was challenged, first by Joseph Scaliger and subsequently by others, partly on aesthetic grounds and partly on account of ...
The Trojan Women (Ancient Greek: Τρῳάδες, romanized: Trōiades, lit."The Female Trojans") is a tragedy by the Greek playwright Euripides, produced in 415 BCE.Also translated as The Women of Troy, or as its transliterated Greek title Troades, The Trojan Women presents commentary on the costs of war through the lens of women and children. [1]
Müller described it as a description of "a landscape beyond death" that is "an overpainting of Euripides' Alcestis which quotes the Noh play Kumasaka, the Eleventh Canto of the Odyssey, and Hitchcock's The Birds." [14] The production also utilised a Japanese kyogen play whose themes parodied those of Alcestis, laser projections, a musical ...