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Reina de las Flores (Queen of Flowers) – She is considered Queen of the religious pageant. She processes under an arch festooned with flowers, and carries a grand bouquet. 2. Reina Elena (Queen Helena) – She represents Saint Helena herself, and holds a cross or crucifix to symbolise the True Cross of Jesus. This considerably prestigious ...
Virgen de Guadalupe con las cuatro apariciones by Juan de Sáenz (Virgin of Guadalupe with the four apparitions by Juan de Sáenz), c. 1777, at the Museo Soumaya [52] The image had originally featured a 12-point crown on the Virgin's head, but this disappeared in 1887–88.
In Spain, the Feast of Nuestra Señora de la Peña de Francia is September 8. In 1895, Pope Leo XIII, acting on the petition of the clergy and members of the Diocese of Nueva Cáceres, issued a rescript fixing the feast day of Our Lady of Peñafrancia on the first Sunday of July, and declaring her principal patroness of the city of Nueva Cáceres.
Others might picture something more mischievous, like Tom from the classic Tom and Jerry cartoons. Or maybe you’re imagining a sleek black cat quietly watching from the shadows, full of mystery ...
Virgen de la Capilla: 11 June 1930: Jaén: Pope Pius XI: Nuestra Señora de las Nieves [232] 22 June 1930: Santa Cruz de La Palma: Pope Pius XI: Virgen del Valle 8 September 1930 Saldaña: Pope Pius XI Virgen de la Piedad 14 September 1930 Baza, Granada: Pope Pius XI Virgen de la Antigua: 28 September 1930: Guadalajara, Castilla-La Mancha: Pope ...
The Cofradia de la Nuestra Senora del Santisimo Rosario, Reina del Caracol (Confraternity of Our Lady of the Most Holy Rosary, Queen of Caracol or the Kapisanan ng Mahal na Birhen ng Santo Rosario) is a church organization dedicated to the patroness.
Our Lady of Solitude of Porta Vaga (Spanish: Nuestra Señora de la Soledad de Porta Vaga, Filipino: Mahal na Birhen ng Soledad ng Porta Vaga) also known as the Virgin of a Thousand Miracles, is a Roman Catholic Marian title of Mary, mother of Jesus, based on the Marian apparitions reported in 1667 by a Spanish soldier during a night storm when he watched over the gates of Porta Vaga.
Dated between 1500 and April 1501, this is the second of three cartoons the painter needed to create the painting The Virgin and Child with Saint Anne in the Louvre: it follows the abandoned Burlington House cartoon by a few months, and precedes by a year to a year and a half the equally lost cartoon from which the Louvre painting is derived.