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A first century AD head of a Cyclops from the Roman Colosseum. In Greek mythology and later Roman mythology, the Cyclopes (/ s aɪ ˈ k l oʊ p iː z / sy-KLOH-peez; Greek: Κύκλωπες, Kýklōpes, "Circle-eyes" or "Round-eyes"; [1] singular Cyclops / ˈ s aɪ k l ɒ p s / SY-klops; Κύκλωψ, Kýklōps) are giant one-eyed creatures. [2]
Balor, a giant in Irish mythology, with one eye in his forehead that would wreak destruction when opened; Bungisngis, one-eyed giants of Philippine folklore; Cyclopes (singular: Cyclops), one-eyed giants in Greek mythology, including Polyphemus. They had a single eye in the centre of their forehead. Polyphemus, a giant Cyclops shepherd in Greek ...
Polyphemus (/ ˌ p ɒ l i ˈ f iː m ə s /; Ancient Greek: Πολύφημος, romanized: Polyphēmos, Epic Greek: [polypʰɛːmos]; Latin: Polyphēmus [pɔlʏˈpʰeːmʊs]) is the one-eyed giant son of Poseidon and Thoosa in Greek mythology, one of the Cyclopes described in Homer's Odyssey.
A host of legendary creatures, animals, and mythic humanoids occur in ancient Greek mythology.Anything related to mythology is mythological. A mythological creature (also mythical or fictional entity) is a type of fictional entity, typically a hybrid, that has not been proven and that is described in folklore (including myths and legends), but may be featured in historical accounts before ...
Arges is a child of Gaia and Uranus, and his siblings include his fellow cyclopes, Brontes and Steropes, along with the Titans and the Hecatoncheires. [4] After his birth, Uranus is said to have locked Arges and his cyclopes brothers in Tartarus out of fear, along with the Hundred Handed Ones. [5]
Acis and Galatea (/ ˈ eɪ s ɪ s /, / ɡ æ l ə ˈ t iː. ə / [1] [2]) are characters from Greek mythology later associated together in Ovid's Metamorphoses.The episode tells of the love between the mortal Acis and the Nereid (sea-nymph) Galatea; when the jealous Cyclops Polyphemus kills Acis, Galatea transforms her lover into an immortal river spirit.
Falconet's 1763 sculpture Pygmalion and Galatea (Walters Art Museum, Baltimore). Galatea (/ ˌ ɡ æ l ə ˈ t iː ə /; Ancient Greek: Γαλάτεια; "she who is milk-white") [1] is the post-antiquity name popularly applied to the statue carved of ivory alabaster by Pygmalion of Cyprus, which then came to life in Greek mythology.
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.