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List of paintings created during 1858–1871 1872–1878 1878–1881 1881–1883 1884 1884–1888 1888 1888–1898 1899–1904 1900–1926 This is a list of works by Claude Monet (1840–1926), including all the extant finished paintings but excluding the Water Lilies, which can be found here, and preparatory black and white sketches. Monet was a founder of French impressionist painting, and ...
Claude Monet (French, 1840 - 1926 ), Still Life with Bottle, Carafe, Bread, and Wine, c. 1862/1863, oil on canvas, Collection of Mr. and Mrs. Paul Mellon 2014.18.32 Short title A26263.jpg
Claude Monet was born on 14 November 1840 on the fifth floor of 45 rue Laffitte, in the 9th arrondissement of Paris. [3] He was the second son of Claude Adolphe Monet (1800–1871) and Louise Justine Aubrée Monet (1805–1857), both of them second-generation Parisians.
Monet_-_Wildenstein_1996,_1700.png (433 × 478 pixels, file size: 388 KB, MIME type: image/png) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
Monet settled in Giverny in 1883. Most of his paintings from 1883 until his death 40 years later were of scenes within 3 kilometres (2 mi) of his home and gardens.Monet was intensely aware of and fascinated by the visual nuances of the region's landscape and by the endless variations in the days and in the seasons—the stacks were just outside his door.
The Poppy Field near Argenteuil (French: Coquelicots) is an oil-on-canvas landscape painting by the French Impressionist Claude Monet, completed in 1873.. Following its donation to the French state in 1906 by Étienne Moreau-Nélaton, it was housed successively in the Louvre, Musée des Arts Décoratifs and the Jeu de Paume.
Houses on the Achterzaan is an 1871 painting by French artist Claude Monet. Done in oil on canvas, the work depicts riverside garden houses on the west shore of the Achterzaan river in Zaandam, the Netherlands. He painted it from the dam in the Zaan, facing northwest. The painting is in the collection of the Metropolitan Museum of Art. [1]
Painting on site, Monet had to deal with the incoming and outgoing trains and crowds of passengers. When he sketched and started painting, his view must have been blocked by steam and smoke. In 1889, critic Hugues Le Roux recalled Monet's working process in the Gare Saint-Lazare: Claude Monet, La Gare Saint-Lazare, le train de Normandie, 1877 ...
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