Search results
Results from the WOW.Com Content Network
Writing in narrative form, she discusses the possibilities and difficulties of coalition and self-identification based on race, class, and gender identity. Although not widely recognized when first published in 1982, this essay has become central to women's and gender studies, sociology, and anthropology in the United States.
Forten Purvis's poem conversely plays on white women's "fairness" as a "virtue" or more contemporarily put, a mark of privilege and further calls for white women to use their "virtue" for activism in the defense of their Black sisters. [15] It is suggested that Forten Purvis's poetry, transforms the female listener into an agent of change. [15]
[3] The poem "Coal" is both autobiographical and allegorical in effect, as "she not only wrote for herself, but for her children and women as well." [2] In the poem, Lorde's personal self-acceptance of her African American identity is meant to coalesce with the self-acceptance and the unification among all African American women, who Lorde ...
A prodigy as a child, Wheatley was the first black person to publish a book of poems in the American colony, and though her poems are sometimes thought of as expressing "meek submission," she is also what Camille Dungy describes as "a foremother," and a role model for black women poets as "part of the fabric" of American poetry. [21]
This Bridge "offered a rich and diverse account of the experience and analyses of women of color; with its collective ethos, its politics of rage and regeneration, and its mix of poetry, critique, fiction and testimony, it challenged the boundaries of feminist and academic discourse."
Sonia Sanchez (born Wilsonia Benita Driver; September 8, 1934) [1] is an American poet, writer, and professor. She was a leading figure in the Black Arts Movement and has written over a dozen books of poetry, as well as short stories, critical essays, plays, and children's books.
The reviewer cites from the poem "Red" and comments, "identity [is] an heirloom, a force that imprints on a lineage of women". In the poem "Race", the reviewer said that "the constant anxiety of straddling two worlds leaves the subject isolated and dehumanized". [7]
Her first poem was published in 1905 in the literary journal The Voice of the Negro. Her first collection of poems was not published until 1916. [2] Johnson published a total of four volumes of poetry, beginning in 1916 with The Heart of a Woman. In the 21st century, her poems have been described as feminine and "ladylike", or "raceless".