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The Gallery is located at the Arts Wing, Areté, Ateneo de Manila University, Katipunan Avenue, Loyola Heights, Quezon City. Widely recognized today as the first museum of Philippine modern art, The Ateneo Art Gallery was established in 1960 through Fernando Zóbel's bequest to the Ateneo of his collection of works by key Filipino post war ...
The Ateneo Art Gallery, established in 1960, is the first museum of modern art in the Philippines. It is housed in the Arts Wing of the Areté and features a collection of modern and contemporary Filipino art. [78]
Ateneo Art Gallery: Katipunan Avenue, Loyola Heights, Quezon City: Modern art gallery. website: Ayala Museum: Makati Avenue corner De La Rosa Street, San Lorenzo, Makati: Philippine history and art gallery website: Bahay Nakpil-Bautista: Quiapo, Manila: Historic house museum: Bahay Tsinoy: Kaisa Heritage Center, 32 Anda corner Cabildo Streets ...
Represented in the collections of the National Museum, Ateneo Art Gallery, Cultural Center, and several private collections. Galleria Duemila showed drawings from Chabet's early period in an exhibition entitled "Selected Chabet Drawings 60s-70s" at its gallery in May 2004.
Several galleries honored Saguil with posthumous exhibitions, including the Lopez Museum, the Cultural Center of the Philippines, and the Ateneo Art Gallery. [1] The Ateneo Art Gallery's 2003 exhibit, Landscapes and Inscapes: From the Material World to the Spiritual, was accompanied by a book of the same name. [10]
October 17–30, 2015: Hiraya Gallery. 35th Anniversary Exhibition, ArtistSpace, Ayala Museum [13] Ateneo Art Gallery [14] Temptation, 6/10 (1974) – Etching – 32 cm x 27.5 cm (Gift from Emmanuel Torres) Untitled (1975) – Etching and aquatint – 20.5 cm x 20.5 cm (Gift from Mayo)
The Collection of Jane Ryan and William Saunders is an ongoing research project that spans a number of solo and group exhibitions from 2014. The project draws attention to the roles that certain artifacts have played in the recent history of the Philippines, specifically in shaping the cultural legacy of former Philippine dictators Ferdinand and Imelda Marcos and the absurd postcolonial ...
Del Castillo has been noted for playing with the themes of war and religion, childhood and lost innocence, and the transformation of meaning through time. [4] In series dealing with warfare in multimedia works and ancient and contemporary icons in gold leaf paintings, his intention has been said "to showcase the similarities of belief towards achieving peace, which is the precedent of war or ...