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Terrace houses in Australia began to be built in early 19th century Sydney, closely based on the models found in London and other UK cities. They soon developed unique features, particularly elaborate balconies, and became a very popular form of housing right through the Victorian era, with some still built in the Federation era.
The Royal Crescent is a row of 30 terraced houses laid out in a sweeping crescent in the city of Bath, England.Designed by the architect John Wood, the Younger, and built between 1767 and 1774, it is among the greatest examples of Georgian architecture to be found in the United Kingdom and is a Grade I listed building.
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A row of typical British terraced houses in Manchester. Terraced houses have been popular in the United Kingdom, particularly England and Wales, since the 17th century. They were originally built as desirable properties, such as the townhouses for the nobility around Regent's Park in central London, and the Georgian architecture that defines the World Heritage Site of Bath.
Inner city terrace house design tended to lack any frontal yard at all, with narrow street frontages, hence the building's structure directly erected in front of the road. One of the reasons behind this was the taxing according to street frontage rather than total area, thereby creating an economic motivation to build narrow and deeply.
Classic Googie sign at Warren, Ohio drive-in. Googie's beginnings are with the Streamline Moderne architecture of the 1930s. [16] Alan Hess, one of the most knowledgeable writers on the subject, writes in Googie: Ultra Modern Road Side Architecture that mobility in Los Angeles during the 1930s was characterized by the initial influx of the automobile and the service industry that evolved to ...
Seaview Terrace and hedge.. In 1907, whiskey millionaire Edson Bradley built a French-Gothic mansion on the south side of Dupont Circle in Washington, D.C. It covered more than half a city block, and included a Gothic chapel with seating for 150, a large ballroom, an art gallery, and a 500-seat theatre—90 feet by 120 feet, and several stories tall, completed in 1911—known as Aladdin's Palace.
It is considered to be one of the best examples of Italian modern and contemporary architecture. The house was conceived around 1937 by the well-known Italian architect Adalberto Libera for Curzio Malaparte. [2] Malaparte, however, rejected Libera's design and went on to build the home himself with the help of Adolfo Amitrano, a local stonemason.