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Toi toi toi" (English: / ˈ t ɔɪ ˈ t ɔɪ ˈ t ɔɪ /) [1] is an expression used in the performing arts to wish an artist success in an imminent performance. It is similar to "break a leg" and reflects a superstition that wishing someone "good luck" is in fact bad luck. [2] [3] [4]
The Good Luck Flag (寄せ書き日の丸, yosegaki hinomaru) was a traditional gift for Japanese servicemen deployed during the military campaigns of the Empire of Japan, most notably during World War II. The flag was typically a national flag signed by friends and family, often with short messages wishing the soldier victory, safety and good ...
A Japanese-based website states that originally, there was a snake or dragon depicted across the moustache and cheeks, but was changed to tortoise to emphasize the desire for longevity. [23] In this way, Daruma was designed to match the Japanese proverb "The crane lives 1000 years, the tortoise 10,000 years".
A teru teru bōzu (Japanese: てるてる坊主 or 照る照る坊主, lit. ' shine, shine monk ') is a small traditional handmade doll hung outside doors and windows in Japan in hope of sunny weather. Made from tissue paper or cloth, teru teru bōzu charms are usually white, ghost-like figures with strings tied around their necks. [1] [2] [3]
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Japanese phonology has been affected by the presence of several layers of vocabulary in the language: in addition to native Japanese vocabulary, Japanese has a large amount of Chinese-based vocabulary (used especially to form technical and learned words, playing a similar role to Latin-based vocabulary in English) and loanwords from other ...
The unluckiness of the number four is one such example, as the Japanese word for "four" 四 romaji: shi is a homophone for "death" kanji: 死. The same is true for Chinese, hanzi: 死 pinyin: sǐ, is also homophonous to "death." However, unlike most other countries, in Japan, a black cat crossing one's path is considered to bring good luck. [2]
The Japanese liquid is most often realized as an alveolar tap [ɾ], though there is some variation depending on phonetic context. [1] /r/ of American English (the dialect Japanese speakers are typically exposed to) is most commonly a postalveolar central approximant with simultaneous secondary pharyngeal constriction [ɹ̠ˤ] or less commonly a retroflex approximant [ɻ].