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The Zigeunerlieder (Gypsy songs), Op. 103 and Op. 112 Nos. 3–6, are a song cycle for four singers (or choir) and piano by Johannes Brahms (Op. 103 Nos. 1–7 and 11 exist also in an arrangement for solo voice and piano made by Brahms himself).
Geistliches Lied (English: "Sacred Song" or "Spiritual Song"), Op. 30, by Johannes Brahms is an 1856 work for four-part mixed chorus accompanied by organ or piano.The composition is in the form of a double canon set to text by Paul Flemming.
The Four Pieces for Piano (German: Klavierstücke) Op. 119, are four character pieces for piano composed by Johannes Brahms in 1893. The collection is the last composition for solo piano by Brahms. Together with the six pieces from Op. 118, Op. 119 was premiered in London in January 1894.
This pattern of emphasis on the third beat continues as the primo piano enters. When the voices finally enter with an emphasis on beat one, the listener's perception of the barline shifts. [11] The quarter note-half note pattern that waltz 5 is built upon is commonly used by Brahms, usually to symbolize the loneliness of separation. [12]
Two Songs for Voice, Viola and Piano (German: Zwei Gesänge für eine Altstimme mit Bratsche und Klavier), Op. 91, were composed by Johannes Brahms for his friends Joseph Joachim and his wife Amalie. The text of the first song, "Gestillte Sehnsucht" (Longing at rest), is a poem by Friedrich Rückert , composed in 1884.
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The composition's movements are all based on the musical notes F-A-E, the motto's initials, as a musical cryptogram. Schumann assigned each movement to one of the composers. Dietrich wrote the substantial first movement in sonata form. Schumann followed with a short Intermezzo as the second movement.
Saldaña notes that she washes her rice with water “over and over and over again.” Once rinsed, it’s time to cook the rice.
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