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Aeschylus' popularity is evident in the praise that the comic playwright Aristophanes gives him in The Frogs, produced some 50 years after Aeschylus' death. Aeschylus appears as a character in the play and claims, at line 1022, that his Seven against Thebes "made everyone watching it to love being warlike". [51]
Philoctetes (Aeschylus play) Phrygians (play) Prometheia; Prometheus Bound; Prometheus Pyrkaeus; Prometheus the Fire-Bringer; Prometheus the Fire-kindler; Prometheus Unbound (Aeschylus) Proteus (Aeschylus) Proteus (play)
The origins of The Game are uncertain. The most common hypothesis is that The Game derives from another mental game, Finchley Central.While the original version of Finchley Central involves taking turns to name stations, in 1976, members of the Cambridge University Science Fiction Society (CUSFS) developed a variant wherein the first person to think of the titular station loses.
Seven Against Thebes (Ancient Greek: Ἑπτὰ ἐπὶ Θήβας, Hepta epi Thēbas; Latin: Septem contra Thebas) is the third play in an Oedipus-themed trilogy produced by Aeschylus in 467 BC. The trilogy is sometimes referred to as the Oedipodea . [ 2 ]
The Oresteia (Ancient Greek: Ὀρέστεια) is a trilogy of Greek tragedies written by Aeschylus in the 5th century BCE, concerning the murder of Agamemnon by Clytemnestra, the murder of Clytemnestra by Orestes, the trial of Orestes, the end of the curse on the House of Atreus and the pacification of the Furies (also called Erinyes or Eumenides).
A small number of verses from these three of Aeschylus' lost works have been saved: fifty-four from Myrmidons, seven from Nereids and twenty-one from Phrygians. A sense of the pace at which additions to this corpus are made can be gleaned from the fact that a papyrus fragment containing seven letters on three lines that could be fitted over a two-line quote from Justin Martyr's dialogue Trypho ...
Philoctetes (Ancient Greek: Φιλοκτήτης) is a play by the Athenian poet Aeschylus. It was probably first produced during the 470s BCE. It is now lost except for a few fragments. Most of what we know of the plot is from the writings of 1st century orator Dio Chrysostom, who compared the Philoctetes plays of Aeschylus, Euripides and ...
She is also the central figure in plays by Aeschylus, Alfieri, Voltaire, Hofmannsthal, and Eugene O'Neill. [2] She is a vengeful soul in The Libation Bearers, the second play of Aeschylus' Oresteia trilogy. She plans out an attack with her brother to kill their mother, Clytemnestra. In psychology, the Electra complex is named after her.