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It adds two additional speakers to the more conventional six-channel audio configuration. As with 5.1 surround sound, 7.1 surround sound positional audio uses the standard front left and right, center, and LFE (subwoofer) speaker configuration.
7.1 channel surround is another setup, most commonly used in large cinemas, that is compatible with 5.1 surround, though it is not stated in the ITU standards. 7.1 channel surround adds two additional channels, center-left (CL) and center-right (CR) to the 5.1 surround setup, with the speakers situated 15 degrees off center from the listener. [24]
Surround channels in a 5.1 speaker setup in red Surround channels in a Dolby Pro Logic 4.0 system using two speakers in antiphase or a dipole speaker Single rear surround channel in a 6.1 system. Surround channels are audio channels in surround sound multichannel audio.
Dolby Surround 7.1 (sometimes called Dolby 7.1 surround sound) is a sound system by Dolby Laboratories which delivers theatrical 7.1 surround sound to movie-goers. It is the most recent addition to a family of audio compression technologies developed by Dolby known as Dolby Digital.
Dolby Atmos technology allows the storage and distribution of 128 audio tracks with metadata describing sound properties such as position and volume (and their variation over time). The audio mix is rendered specifically for the theater's setup using the loudspeakers available. [15]
Dolby TrueHD is a lossless, multi-channel audio codec developed by Dolby Laboratories for home video, used principally in Blu-ray Disc and compatible hardware. Dolby TrueHD, along with Dolby Digital Plus (E-AC-3) and Dolby AC-4, is one of the intended successors to the Dolby Digital (AC-3) lossy surround format.
The left and right surround speakers in the bottom line create the surround sound effect. 5.1 surround sound ("five-point one") is the common name for surround sound audio systems. 5.1 is the most commonly used layout in home theatres. [1] It uses five full-bandwidth channels and one low-frequency effects channel (the "point one"). [2]
The three front speakers are so close together (-30°, 0°, +30°) that they will exhibit significant crosstalk in first-order, which causes irritating phasing artefacts without any benefit. Therefore, it is advisable to omit the center speaker and decode only for L, R, Ls and Rs, as has been done in all pre-decoded G-format releases for 5.1 ...
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