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In the West, the onna-musha gained popularity when the historical documentary Samurai Warrior Queens aired on the Smithsonian Channel. [41] [42] Several other channels reprised the documentary. The 56th NHK taiga drama, Naotora: The Lady Warlord, was the first NHK drama where the female protagonist is the head of a samurai clan. [43]
At the same time that her teaching was becoming well-known, she began to be famous for her unusual dress: she would leave the house wearing a black silk crepe haori (a man's garment at the time) emblazoned with the Sasaki family crest, her hair done up in an indoor style with hairpins, and wearing the samurai's long and short swords.
During the Tokugawa period (1603–1868), the naginata was transformed into a status symbol to distinguish women of samurai families, as well as being the primary means for a woman to defend her home while her husband was away in times of war. This period also saw the propagation of the naginata as a feminine art and the weapon serving as more ...
Tomoe Gozen (巴 御前, Japanese pronunciation: [5]) was an onna-musha, a female samurai, mentioned in The Tale of the Heike. [6] There is doubt as to whether she existed as she doesn't appear in any primary accounts of the Genpei war. She only appears in the epic "The tale of the Heike".
Akai Teruko (赤井輝子, November 6, 1514 – December 17, 1594) or Myoin-ni (妙印尼) was a late-Sengoku period Onna-musha warrior. Teruko was a woman trained in ko-naginata, fought in many battles when younger and commanded three thousand soldiers in Kanayama castle at 70 years old. [1]
Japanese art consists of a wide range of art styles and media that includes ancient pottery, sculpture, ink painting and calligraphy on silk and paper, ukiyo-e paintings and woodblock prints, ceramics, origami, bonsai, and more recently manga and anime.
Mikako Tokugawa, wife of Yoshinobu Tokugawa, with hikimayu A poster for the 1953 film Ugetsu.The woman in the foreground has hikimayu.. Hikimayu (引眉) was the practice of removing the natural eyebrows and painting smudge-like eyebrows on the forehead in pre-modern Japan, particularly in the Heian period (794–1185).
[10] [a] The current Japanese female custom of covering the mouth when smiling derives to a greater or lesser degree from this consideration and from the preference until the 19th century for black-toothed rather than white mouths. [11] Among the samurai, its origin is associated with the idea of loyalty expressed by the color black. [b] When a ...
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