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More precisely, choreomusicology grew out of Euro-American performance traditions that considered musical composition and dance choreography as separate specialties. Not all performance genres separate music and dance into separate theoretical categories. The directionality of the relationship between sound and movement is not always fixed. [3]
Stromata, including English translation of Book 3 – The Gnostic Society Library (Due to sexual content, Book 3 is provided only in Latin in the classic Ante-Nicene Fathers edition) Clement of Alexandria: Stromata, Book 1 – Early Christian Writings; English translation of Stromateis at the Christian Classics Ethereal Library
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
Dance theory is the philosophy underpinning contemporary dance, including formal ideologies, aesthetic concepts, and technical attributes. [1] It is a fairly new field of study, developing largely in the 20th century. It can be considered a branch of expression theory [2] and is closely related to music theory and specifically musicality. [3]
The Theory and Technique of Electronic Music (2007) Max (software), Pure Data: Philip Ewell: born 1966 Music Theory and the White Racial Frame (2020) Race in music, Russian and twentieth century music, as well as rap and hip hop [218] Ellie Hisama: Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon (2007)
In doing so, Ford rewrote the cultural history of the dance form and set the stage for a pantheon of racist ideas that still animate modern white supremacist movements. Most Americans rightly ...
Lynn Theresa Garafola (born December 12, 1946) is an American dance historian, linguist, critic, curator, lecturer, and educator. A prominent researcher and writer with broad interests in the field of dance history, she is acknowledged as the leading expert on the Ballets Russes de Serge Diaghilev (1909–1929), the most influential company in twentieth-century theatrical dance.
"Music and dance of the Hawaiian and Hopi peoples", Richard L. Anderson and Karen L. Field (editors). Art in small scale societies: contemporary readings: pp. 334–348. Englewood Cliffs, New Jersey.: Prentice-Hall 1993 "Theory and methods for an anthropological study of dance", 1976 PhD dissertation, published in book form in 2008