Search results
Results from the WOW.Com Content Network
[1] [2] As a discipline, choreomusicology emerged at the end of the twentieth century as a field of study concerned with the relationship between music and dance . More precisely, choreomusicology grew out of Euro-American performance traditions that considered musical composition and dance choreography as separate specialties.
Theoria: Historical Aspects of Music Theory is a peer-reviewed academic journal specializing in music theory and analysis. It was established in 1985, under the auspices of the University of North Texas College of Music. According to its website, "Theoria is a peer-reviewed journal on all aspects of history in music theory. This includes ...
Dance theory is the philosophy underpinning contemporary dance, including formal ideologies, aesthetic concepts, and technical attributes. [1] It is a fairly new field of study, developing largely in the 20th century. It can be considered a branch of expression theory [2] and is closely related to music theory and specifically musicality. [3]
Joann Wheeler Kealiinohomoku (also known by other orthographic variation including Keali'inohomoku) (1930–2015 [2]) was an American anthropologist and educator, co-founder of the dance research organization Cross-Cultural Dance Resources (CCDR).
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
[1] [2] Rehding is a music theorist and musicologist with a focus on intellectual history and media theory, known for innovative interdisciplinary work. His publications explore music in a wide range of contexts from Ancient Greek music to the Eurovision Song Contest —and even in outer space.
Musurgia Universalis was one of Kircher's largest books. [2]: xxiv The work was published in two volumes with a total of 1,112 pages and many illustrations. It was one of the most influential books on music theory in the seventeenth century, and of the 1,500 copies known to have been published, 266 are still recorded in various collections.
The Imperial Society of Teachers of Dancing defines the tango, for example, as to be danced in 2 4 time at approximately 66 beats per minute. The basic slow step forwards or backwards, lasting for one beat, is called a "slow", so that a full "right–left" step is equal to one 2 4 measure. [47] (See Rhythm and dance.)