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  2. Seventh chord - Wikipedia

    en.wikipedia.org/wiki/Seventh_chord

    The most common chords are tertian, constructed using a sequence of major thirds (spanning 4 semitones) and/or minor thirds (3 semitones). Since there are 3 third intervals in a seventh chord (4 notes) and each can be major or minor, there are 7 possible permutations (the 8th one, consisted of four major thirds, results in a non-seventh augmented chord, since a major third equally divides the ...

  3. Chord notation - Wikipedia

    en.wikipedia.org/wiki/Chord_notation

    Five of the most common seventh chord, all built on C: major (C Δ7), dominant (C 7), minor (C– 7), half-diminished (C ø 7), and diminished (C o 7) A seventh chord is a triad with a seventh . The seventh is either a major seventh [M7] above the root, a minor seventh [m7] above the root (flatted 7th), or a diminished seventh [d7] above the ...

  4. Major seventh chord - Wikipedia

    en.wikipedia.org/wiki/Major_seventh_chord

    The major seventh chord, sometimes also called a Delta chord, can be written as maj 7, M 7, Δ, ⑦, etc. The "7" does not have to be superscripted, but if it is, then any alterations, added tones, or omissions are usually also superscripted. For example, the major seventh chord built on C, commonly written as Cmaj 7, has pitches C–E–G–B:

  5. Dominant seventh chord - Wikipedia

    en.wikipedia.org/wiki/Dominant_seventh_chord

    The tritone is created by the co-occurrence of the third degree and seventh degree (e.g., in the G 7 chord, the interval between B and F is a tritone). In a diatonic context, the third of the chord is the leading-tone of the scale, which has a strong tendency to pull towards the tonic of the key (e.g., in C, the third of G 7 , B, is the leading ...

  6. Roman numeral analysis - Wikipedia

    en.wikipedia.org/wiki/Roman_numeral_analysis

    Inverted seventh chords are similarly denoted by one or two Arabic numerals describing the most characteristic intervals, namely the interval of a second between the 7th and the root: V 7 is the dominant 7th (e.g. G–B–D–F); V 6 5 is its first inversion (B–D–F–G); V 4 3 its second inversion (D–F–G–B); and V 4

  7. Harmonic minor scale - Wikipedia

    en.wikipedia.org/wiki/Harmonic_minor_scale

    The harmonic minor scale (or Aeolian ♮7 scale) is a musical scale derived from the natural minor scale, with the minor seventh degree raised by one semitone to a major seventh, [2] [3] [4] creating an augmented second between the sixth and seventh degrees.

  8. Minor major seventh chord - Wikipedia

    en.wikipedia.org/wiki/Minor_major_seventh_chord

    A minor major seventh chord, or minor/major seventh chord (also known as the Hitchcock Chord) is a seventh chord composed of a root, minor third, perfect fifth, and major seventh (1, ♭ 3, 5, and 7). It can be viewed as a minor triad with an additional major seventh. When using popular-music symbols, it is denoted by e.g. m (M7).

  9. Dominant (music) - Wikipedia

    en.wikipedia.org/wiki/Dominant_(music)

    Put another way, it is the key whose tonic is the dominant scale degree in the main key. [8] If, for example, a piece is written in the key of C major, then the tonic key is C major and the dominant key is G major since G is the dominant note in C major. [9] "Essentially, there are two harmonic directions: toward I and toward V.

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