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Phonk (/ f ɒ ŋ k / ⓘ) is a subgenre of hip hop and trap music directly inspired by 1990s Memphis rap. The style is characterized by vocals from old Memphis rap tapes and samples from early 1990s hip hop, especially cowbell samples resembling that of the Roland TR-808 drum machine.
"Bad Vibe", a 2018 song by English group M.O with Lotto Boyz and Mr Eazi Topics referred to by the same term This disambiguation page lists articles associated with the title Bad Vibes .
Bad Vibes Forever is the fourth and final studio album by American rapper and singer-songwriter XXXTentacion. It was released through Bad Vibes Forever and Empire Distribution on December 6, 2019. The production was handled by XXXTentacion himself, alongside DJ Carnage , John Cunningham, JonFX , Ronny J , XXYYXX , and among others.
"Murder in My Mind" is a song by drift phonk artist Kordhell. [1] It was released as a single on 21 January 2022, [ 2 ] and charted internationally later in the year, reaching the top 10 of the US Hot Dance/Electronic Songs chart in September 2022.
"Bad Vibes Forever" (stylized in lowercase) is a song by American rapper and singer XXXTentacion featuring fellow American rappers and singers PnB Rock and Trippie Redd. Produced by John Cunningham, it was released on November 22, 2019, as the third and final single from XXXTentacion's fourth and final studio album of the same name . [ 1 ]
Bad Vibes is the debut studio album by American electronic musician Shlohmo. It was released through Friends of Friends on August 9, 2011. It was released through Friends of Friends on August 9, 2011.
[6] NME's Luke Morgan Britton wrote "Even the Latin-infused 'Gently', basically Drake-doing-Dembow, feels like a cynical marketing ploy that not even Bad Bunny's effortless cool can save." [ 7 ] Louis Pavlakos of HipHopDX commented the song "is Drake's second attempt at making reggaeton but he sounds lost singing in Spanish alongside Bad Bunny."
A song channelling the playful "spirit of Britney Spears at her most syrupy sweet" [12] was met with mixed feelings at initial critics' response. Alexis Petridis from The Guardian compared the lyrical content used throughout the pop punk-inspired Electra Heart opener [13] "Bubblegum Bitch" to "the self-fulfilling I-will-be-huge prophecy" that was developed in The Fame by Lady Gaga. [14]