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Frédéric Chopin's Nocturne in G Minor, Op. 15, No. 3. The marking "languido e rubato", slow tempo, and subdued dynamics creates an evocative mood characteristic of nocturnes. A nocturne is a musical composition that is inspired by, or evocative of, the night.
Nocturne in E-flat major, Op. 55, No. 2. The second nocturne in E ♭ major features a 12 8 time signature, triplet quavers in the bass, and a lento sostenuto tempo marking. The left-hand features sweeping legato arpeggios from the bass to the tenor, while the right-hand often plays a contrapuntal duet and a soaring single melody.
One aspect of the nocturne that Chopin continued from Field is the use of a song-like melody in the right hand. This is one of the most if not the most important features to the nocturne as a whole. The use of the melody as vocals bestowed a greater emotional depth to the piece, drawing the listener in to a greater extent. [ 5 ]
Chopin composed his best-known Nocturne in E ♭ major, Op. 9, No. 2 when he was around twenty years old. This well-known nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. It is 34 measures long and written in 12 8 meter, having a similar structure to a waltz. The A and B sections become increasingly ornamented with each ...
The Nocturne No. 20 in C ♯ minor, Op. posth., Lento con gran espressione, P 1, No. 16, KKIVa/16, WN 37, is a solo piano piece composed by Frédéric Chopin in 1830 and published in 1875. Chopin dedicated this work to his older sister Ludwika Chopin , with the statement: "To my sister Ludwika as an exercise before beginning the study of my ...
The Nocturne in C minor is one of the more well known nocturnes, and has been categorized as one of Chopin's greatest emotional achievements. [ 5 ] [ 6 ] Theodor Kullak said of the piece, "the design and poetic contents of this nocturne make it the most important one that Chopin created; the chief subject is a masterly expression of a great ...
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Huneker states that the piece "really contains but one subject, and is a song of the sweet summer of two souls, for there is obviously meaning in the duality of voices." [ 7 ] The piece contains a harmony of broken chords which is played with the left hand, a habit Chopin had when composing his nocturnes, [ 8 ] while the right hand plays the ...