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It tells the story of Shakespeare's life with a mixture of fact and fiction, the latter including an affair with a black prostitute named Fatimah, who inspires the Dark Lady of the Sonnets. The title refers to the first line of Sonnet 130, "My mistress' eyes are nothing like the sun", in which Shakespeare describes his love for a dark-haired woman.
[3] He notes the following meanings used in these two sonnets: [4] (a) what one wishes to have or do (b) the auxiliary verb indicating futurity and/or purpose (c) lust, carnal desire (d) the male sex organ (e) the female sex organ (f) an abbreviation of "William" (Shakespeare's first name, conceivably also the name of the Dark Lady's husband)
Harris believed that Shakespeare despised his wife, and that his forced marriage was the spur to his creative work: If Shakespeare had married Anne Whately he might never have gone to London or written a play. Shakespeare's hatred of his wife and his regret for having married her were alike foolish. Our brains are seldom the wisest part of us.
The Chandos portrait, believed to be Shakespeare, held in the National Portrait Gallery, London. William Shakespeare (1564–1616) [1] was an English poet and playwright. He wrote approximately 39 plays and 154 sonnets, as well as a variety of other poems. [note 1]
This may suggest that Shakespeare planned to respond right away and correct the impression left by Jaggard's book with Shakespeare's own publication, or the entry may have been merely a "staying entry" not regarding an upcoming publication, but intended to prevent Jaggard from publishing any more sonnets by Shakespeare. [2]: 1–5
Gypsy Rose Blanchard’s feelings toward her late mother, Clauddine “Dee Dee” Blanchard, have changed over the years — and she explained how in her new memoir, My Time to Stand.
Jane Kingsley-Smith, in "Shakespeare's sonnets and the claustrophobic reader: making space in modern Shakespeare fiction" (2013), [7] argues that claustrophilia is a thematic and structural motif in the Sonnets, based on analysis of A Waste of Shame and Anthony Burgess' Nothing Like the Sun: A Story of Shakespeare's Love Life (1964). [7]
As opposed to most of his sonnets, which have a "turn" in mood or thought at line 9, (the beginning of the third quatrain (See: Sonnets 29, 18) the mood of Sonnet 66 does not change until the last line, when the speaker declares that the only thing keeping him alive is his lover. This stresses the fact that his lover is helping him merely ...