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Films released in CinemaScope, an anamorphic lens series used, from 1953-present, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter.
CinemaScope 55 was a large-format version of CinemaScope introduced by Twentieth Century Fox in 1955, which used a film width of 55.625 mm. [9] Fox had introduced the original 35 mm version of CinemaScope in 1953 and it had proved to be commercially successful.
CinemaScope films (507 P) Pages in category "CinemaScope" The following 3 pages are in this category, out of 3 total. This list may not reflect recent changes. ...
CinemaScope (USA ["Bausch & Lomb formula" anamorphics, used for the fourth and all subsequent CinemaScope films]/France ["Chrétien formula" anamorphic, used for only the first three CinemaScope films]; pre-releases were 2.66:1, with separate 3-track sound, and 2.55:1, with composite 4-track sound, before standardization on 2.35:1; all general ...
The film was released by 20th Century Fox and was the first film released in the widescreen process CinemaScope. [4] Like other early CinemaScope films, The Robe was shot with Henri Chrétien's original Hypergonar anamorphic lenses. The film was directed by Henry Koster and produced by Frank Ross.
Between Heaven and Hell is a 1956 American Cinemascope war film based on the novel The Day the Century Ended [3] by Francis Gwaltney that the film follows closely. The story is told in flashback format detailing the life of Sam Gifford (Robert Wagner) from his life as a Southern landowner to his war service in the Philippines during World War II.
Films of the 1950s were of a wide variety. As a result of the introduction of television, the studios and companies sought to put audiences back in theaters. They used more techniques in presenting their films through widescreen and big-approach methods, such as Cinemascope, VistaVision, and Cinerama, as well as gimmicks like 3-D film.
The Blue Max is a 1966 WW I film directed by John Guillermin and starring George Peppard, James Mason, Ursula Andress, Karl Michael Vogler, and Jeremy Kemp. The film was made in DeLuxe Color and was one of the last movies filmed in CinemaScope. It was filmed entirely in Ireland, and included numerous location scenes shot in Dublin, Wickow and Cork.