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Films released in CinemaScope, an anamorphic lens series used, from 1953-present, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter.
CinemaScope 55 was a large-format version of CinemaScope introduced by Twentieth Century Fox in 1955, which used a film width of 55.625 mm. [9] Fox had introduced the original 35 mm version of CinemaScope in 1953 and it had proved to be commercially successful.
CinemaScope films (507 P) Pages in category "CinemaScope" The following 3 pages are in this category, out of 3 total. This list may not reflect recent changes. ...
This list of motion picture film formats catalogues formats developed for shooting or viewing motion pictures, ranging from the Chronophotographe format from 1888, to mid-20th century formats such as the 1953 CinemaScope format, to more recent formats such as the 1992 IMAX HD format.
CinemaScope (USA ["Bausch & Lomb formula" anamorphics, used for the fourth and all subsequent CinemaScope films]/France ["Chrétien formula" anamorphic, used for only the first three CinemaScope films]; pre-releases were 2.66:1, with separate 3-track sound, and 2.55:1, with composite 4-track sound, before standardization on 2.35:1; all general ...
The film was released by 20th Century Fox and was the first film released in the widescreen process CinemaScope. [4] Like other early CinemaScope films, The Robe was shot with Henri Chrétien's original Hypergonar anamorphic lenses. The film was directed by Henry Koster and produced by Frank Ross.
Filmed in Cinemascope October 1, 1955: Blood Alley: Filmed in Cinemascope October 27, 1955: Rebel Without a Cause: Inducted into the National Film Registry in 1990 Filmed in Cinemascope October 28, 1955: Illegal: November 1, 1955: Sincerely Yours: co-production with International Artists, Ltd. November 9, 1955: I Died a Thousand Times: Filmed ...
Films of the 1950s were of a wide variety. As a result of the introduction of television, the studios and companies sought to put audiences back in theaters. They used more techniques in presenting their films through widescreen and big-approach methods, such as Cinemascope, VistaVision, and Cinerama, as well as gimmicks like 3-D film.