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The song, like many on The Boatman's Call, seems to reflect on Nick Cave's personal relationships and spiritual yearnings at the time of writing. This song in particular is widely speculated to either be a love song or directed at either the mother of Cave's son Luke, Viviane Carneiro, or PJ Harvey, with whom Cave had a brief relationship prior to the album's recording and release.
A person singing karaoke in Hong Kong ("Run Away from Home" by Janice Vidal). Karaoke (/ ˌ k ær i ˈ oʊ k i /; [1] Japanese: ⓘ; カラオケ, clipped compound of Japanese kara 空 "empty" and ōkesutora オーケストラ "orchestra") is a type of interactive entertainment system usually offered in clubs and bars, where people sing along to pre-recorded accompaniment using a microphone.
Music therapy may be ineffective for people with musical anhedonia, as is the case with certain other diseases and conditions such as Parkinson's disease and Alzheimer's disease. [7] A 2019 study found that specific music-based treatments may alleviate anhedonia and other depression symptoms.
"I'm Not the One" is a song by the American rock band the Cars, from their fourth album, Shake It Up. It features Ric Ocasek on lead vocals, Benjamin Orr singing the 'you know why' phrase, and the whole group repeating "going round and round" as backing vocals throughout the song.
Note: These songlists include the names of the artists who most famously recorded the song. The songs as they appear in the game are covers, with the exceptions being the song "Dance Like There's No Tomorrow", which is the master recording of the Paula Abdul song, and 10 original Mowtown songs in the Xbox version of Karaoke Revolution
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"She had a boyfriend I didn't like, when she was with Jason [Wahler], and I supported her," Montag said while on Call Her Daddy. "I literally was like, 'I'm your girl, I'm here for you, whoever ...
"You're the One" spent one week at number one on the US Billboard Hot R&B/Hip-Hop Songs chart, making it their third single to reach number one on that chart. [4] Due to its high initial sales, along with sufficient airplay, it became a crossover success, debuting at number nine on the Billboard Hot 100 and peaking at number five, becoming their fourth and final top-10 hit. [5]