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Ivory from Africa was widely sought after outside the continent by the 14th century due in part to the poorer quality of Asian ivory. [31] While Asian ivory is brittle, more difficult to polish, and tends to yellow with exposure to air, African ivory often comes in larger pieces, a more sought after cream colour, and is easier to carve. Ivory ...
Designing of inlaid articles is a highly elaborate process. There are sometimes more than 400 pieces per square inch in a work of average quality. [2] Thin rods of different coloured woods, ivory, bone, brass, silver, etc. were glued together into long bunches that could have a round, rectangular, or polygonal cross-section. [3]
This type of ivory was commonly made in the late 19th century and early 20th century. It looks like elephant ivory and can have intersecting line patterns but the pattern is more uniform and regular than natural ivory. This ivory will be occasionally marked synthetic while "French Ivory" or "India Ivory" are common marks.
African ivory has been treasured since ancient times in part because of how it could be carved as well as how difficult it was to acquire. [3] These qualities additionally mean that ivory has always been a symbol of wealth and luxury that can was used to decorate the ivory coffers of Tutankhamen's Egypt, as well as the ivory throne made by King Solomon. [3]
Among these is laser cutting, where the design is drawn or imported as a CAD or vector file and each piece is cut separately; each different species of wood-and thickness-may need a specific adjustment of the beam power; the offset will determine the gap between the pieces. In some cases, the beam will leave a dark edge due to the high heat ...
Both ivory and bone were carved in relief panels, often with two or three strips forming a single inlay. Only ivory was used for openwork. [7] After carving the surfaces were smoothed and lightly polished. Traces of colour survive, showing the use of alternating red and blue pigments, and the highlighting of plain backgrounds with red or black.
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Front Claps for corsets. A busk (also spelled busque) is a rigid element of a corset at the centre front of the garment. [1] Two types exist, one- and two-part busks. [2]Single-piece busks were used in "stays" and bodices from the sixteenth to early nineteenth centuries and were intended to keep the front of the corset or bodice straight and upright.