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Roman square capitals, also called capitalis monumentalis, inscriptional capitals, elegant capitals and capitalis quadrata, are an ancient Roman form of writing, and the basis for modern capital letters. Square capitals are characterized by sharp, straight lines, supple curves, thick and thin strokes, angled stressing and incised serifs.
Roman capitals were used along with lower case, Arabic numerals, italics and calligraphy in a complementary style. [21] The style has been used for lettering where a feeling of timelessness was wanted, for example on First World War memorials and government buildings, but also on shopfronts, posters, maps, and other general uses.
Collectively, these characteristics gave the style a two-line pattern. Although common in professional writing, this style of cursive is not universal to all documents in Roman cursive. More informal documents still retained disorganized features and were unsuitable for ligatures.
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Despite the recent decline, in several countries cursive scripts are still taught in schools today [example needed], often modified to be more similar to roman type letters (tailless z, w-like instead of a 90° CW turned s for w, capitals without "belly" or swashes, forward-facing capital F etc.).
Folio 14 recto of the Vergilius Romanus, author portrait of Virgil.. Rustic capitals (Latin: littera capitalis rustica) is an ancient Roman calligraphic script. Because the term is negatively connoted supposing an opposition to the more 'civilized' form of the Roman square capitals, Bernhard Bischoff prefers to call the script canonized capitals.
Cap height and ascender height are generally the same to produce a more regular effect in texts such as titles with many capital letters, and descenders are often short for tighter line spacing. [7] They often avoid having a true italic in favor of a more restrained oblique or sloped design, although at least some sans-serif true italics were ...